Quantcast
Channel: Anime – Moe Sucks
Viewing all 1833 articles
Browse latest View live

Violet Evergarden Ep. 11: War weariness

$
0
0

How many more young men will have to die before this series comes to an end? 

— Camp Menace? That’s a silly name. Even so, Violet is heading behind former enemy lines in order to ghostwrite a soldier’s letter to his dearest. Claudia has no desire to send one of his dolls, because it’s simply too dangerous. As a result, our heroine leaves without a warning. Is this the first time Violet’s taken up a job all on her own? Sure seems like it. This isn’t the first time she’s left without telling anyone, but it’s nice to see the girl develop a little independence.

— Cattleya says something about how some people just can’t live without war. Sure, sure, but rarely do people do things without reason. There’s almost always an aim. You certainly don’t start a war just because. Arms dealers, for example, would have a vested interest in igniting international tensions. For them, money talks. On the other hand, we don’t really know why the anti-peace faction wants war again so badly. Hopefully, we learn something interesting about their motives and not just that they’re evil.

— Former Violet probably wouldn’t have batted an eyelash at these terribly injured soldiers, but our Violet’s different.

— Violet finds herself in a country that has plunged into a civil war between the extremists and the moderates. We really don’t know much about either side other than that the extremists see the moderates as cowards. Not only that, the anti-peace faction has freed and armed a bunch of refugees. Refugees from where, though? Refugees wanting what, though? We’re missing a lot of contextual information.

— So how’s our girl going to get herself to a base that’s being blockaded on all sides by the enemy? Via a postman’s plane, apparently. If it’s this hard to get in, however, how is she planning to get out? And how much money is she paying this guy to help her? He’s risking his life to take on this job, after all.

— I actually really like the use of colors in this week’s episode. The snow also helps “brighten” a show that has normally looked rather faded and washed out in previous episodes.

— A group of soldiers are ambushed by the enemy, and I have a feeling that this Aidan guy — the one who wants to write a letter to his dear Maria — isn’t going to make it out alive. After plying us with happy endings after happy endings, Violet Evergarden seems content to throw us into the pits of despair as a lead-up to the series’ conclusion. I don’t exactly enjoy watching people suffer and lose their loved ones, but luckily, I can take some solace in the fact that I don’t know Aidan all that well. Structurally, this is a pretty episodic anime, and as such, we’re always meeting new faces every week. We can feel sad for side characters like Aidan or Anne from last week’s episode, but luckily, we don’t get the luxury to form deep emotional attachments with any of them.

— Speaking of which, Wikipedia says that the show’s going to have 14 episodes. Really? That’ll put the last episode right dab in the middle of April…

— Aidan ends up taking a bullet to his abdomen. It might not be initially fatal, but he’s not anywhere near a medic. As I thought (and feared), his fate is sealed. The placement of the bullet means he’ll live long enough just to dictate a letter to Violet, but he’ll never make it back to Maria. As a result, I almost feel like the episode is a tad too predictable. I hope I’m wrong; hell, I even hope that Aidan survives. I like drama in my stories, but at the same time, I also prefer happy endings. Unfortunately, you just know that this guy is ultimately expendable. He’s here simply to deliver a sad story.

— Oh come on…

— Basically, the pilot wants to turn the plane around because Camp Menace has just fallen to the enemy. Nay, says Violet! She’ll literally jump out of this plane if she has to! After all, she will travel anywhere to meet her clients’ requests!

— Don’t worry, she has a parachute. A pretty impressive-looking one too, I might add. And from Aidan’s perspective, Violet resembles an angel descending from the sky just to help him write some damn letters.

— Even though Violet’s been living a civilian life for the past year or so, she continues to possess super-strength and super-speed. As soon as she lands, the enemy soldiers open fire, but they don’t stand a chance of hitting her. Our girl starts strafing from side to side like some sort of anime ninja, and as a result, she easily dodges every single bullet.

— Once again, we can’t help but wonder if she’s truly an android of some sort. After all, 99% of the the show is grounded in realism, and no human shares Violet’s incredible aptitude for combat. If she’s not an android, then what is she? At this point, however, I doubt the anime will ever give us a proper explanation.

–Violet proceeds to take down all of the enemy soldiers by herself. Luckily for them, she’s not here to fight. She instead lets them all go with their tails between their legs. They just lost to a 14-year-old child. I can’t blame her for not subduing them. This isn’t her war.

— Our heroine’s infamous, though. She even has a nickname.

— It’s rather fortuitous, however, that Violet just happens to come across Aidan out in the open like this. It’s almost too coincidental.

— Geez, Claudia’s company has advertising all the way up here? Why bother if you’re going to be too scared to send any of your dolls up north, though?

— Somehow, Violet has managed to transport Aidan to a cabin. Good timing too, because a snowstorm has suddenly kicked up. Again, the girl has all the luck. And again, it feels almost too coincidental.

— Violet tells Aidan that he needs treatment, but he insists on dictating his letters to her. After all, he doesn’t know if he’ll survive for much longer. Could Violet have treated him? Considering how much of a super-soldier she is, it wouldn’t surprise me if she had picked up some medical knowledge from her time in the army. I guess we’ll never know, though.

— Violet has a new trick up her sleeve: she can commit a letter to heart by typing away at the air.

— Oh dear, Maria’s a childhood friend. No wonder he’s going to die. Childhood friends never win. Aidan shares his happy memories of Maria with us, but I’m holding off on my thoughts until the end.

— In the end, Violet comforts the man right before he passes. The effect where the drifting snow loses its focus and simply become shimmering pools of light is neat. It’s a beautiful and poetic way to portray a person’s passing, an act which is not normally seen in such a positive light.

— Oh, so she merely waits in a snowfield for the pilot to pick her up… well, that answers my question from before.

— Violet ends up delivering Aidan’s letters to his loved ones, and as we expected, the ending is anything but happy. Violet can’t hold back her tears either. As she breaks down in front of these relative strangers, the girl blames herself for failing to protect Aidan, but what else could she have done? Insisted that she treat his bullet wound? Even if she could convince him otherwise, he likely lost too much blood by the time she even found him.

— Maybe what this world needs isn’t ghostwriters but reporters. Maybe what this world needs is to see all the young men who have to die and all the broken families that they leave behind.

— It’s not that I don’t feel sad for Aidan and his loved ones. I do. I hate seeing couples torn apart. The problem is that my sympathy is overworked and has been overworked for quite some time now. We’ve gotten four sad episodes in a row now. At some point, weariness starts to set in. I felt bad when Violet lost Gilbert. I shed tears for Anne in last week’s episode. As a result, I just have no more to give, especially since I just watched an excellent episode from A Place Further Than The Universe just a day ago. To be fair, Violet Evergarden can’t help that. The show can’t control what another show airs. Nevertheless, the anime does itself a disservice by sticking with one thing too long.

First, we got happy endings after happy endings. No matter where Violet went, everything turned out perfectly for her and her clients! It got to the point that the story started to challenge our suspension of disbelief. I…is she anime Jesus?! But ever since the turning point — ever since Violet learned that Gilbert is no longer alive — every episode has been a downer. The audience gets no reprieve from Violet Evergarden‘s assault on our feelings. That isn’t to say that these episodes are completely devoid of hope. They’re not pitch black abysses of despair and bitterness. Anne will receive fifty wonderful letters throughout the course of her life, and Maria will at least know how much Aidan loved her. Nevertheless, it gets to the point where I’m starting to feel numb to whatever the anime throws at me. I felt a lump in my throat this week, but I didn’t tear up. Not like I did last week. Is it because Aidan’s story isn’t as sad as Anne’s story? Or is it because I’m just tired of feeling sad all the time?

— But to give credit where credit’s due, the visuals in this week’s episode are top-notch.


Death March to the Parallel World Rhapsody Ep. 11: Magical potions, land development, and a witch-type loli

$
0
0

Oh, what’s the plot this week? Just Bargain Bin Kirito protecting a forest from evil land developers. 

— Are we… are we back to taste-testing this MMO’s cuisine? This would make the anime more entertaining to watch, so no. One quick mention of a mutton dish is all we get.

— Simply by tipping the waitress, BBK causes her to fall in love with him. What a manly man. Then for some reason, BBK stands up and offers to treat everyone in the restaurant.

— After he finishes his meal, the waitress from before decides to make a move on him. Why? Because he tipped her? That’s it?

— The next day, the lolis are mad that he spent the night at a love hotel with some floozy waitress. Did they do the deed? Shrug, you can write your own BBK story.

— Yeah, say it louder for the camera, buddy. Wink, wink.

— As they try to depart, they come across a mean guy bullying a couple peasants. Considering how there’s actual slave-owning in this universe, this is really nothing.

— Apparently, the mean guy is also that city official from episodes and episodes ago. He takes one dirty look at BBK and leaves the scene.

— Our generous Mr. Money Bags then donates a magical potion to one of the injured peasants, which causes Arisa to whine about how he needs to keep some reserve for them. As a result, BBK is going to now stop in the middle of his journey just to make more potions. I thought he had to return elf-type loli to her home. Is that literally going to be the plot of this episode? Is that literally it? We’re on episode 11, and the show has no direction. The guy just does whatever.

Exciting alchemy action!

— There are silly rules like how the potion has to be stored in a special vial or else it won’t keep its freshness. I’ve never seen this in any JRPG or MMO, but sure.

— BBK sees that he’s low on potion-making materials, so he decides that he’ll take a detour tomorrow. Again, I thought he was on a roadtri–… ah, it doesn’t even matter.

— More hot crafting action at night! It’s all all-you-can-craft episode! The guy ends up creating an explosion and spooking his lolis.

— In the new city, BBK bumps into that evil guy again, but he doesn’t realize it. After all, he’s got a hoodie! Hoodies make for excellent disguises! You also know he’s evil because he has a male slave. Don’t do that. Only villains would do that. Good guy BBK only has wholesome female slaves.

— There’s a terrible CG spinning globe in the back for no particular reason. It feels magical, I guess.

— Is this supposed to be a sex joke?

— For some reason, the wizard lady will only sell scrolls to BBK if he gives her some cores. Apparently, that’s illegal, so our hero returns later that night in this amazing disguise.

— Even later that night, we see BBK explore the darkened areas on his map on his own. His loli slaves have no clue what he’s up to. And now, you have tense animal-stalking action!

— He’s like one of those asshole tourists who can’t help taking selfies with the local fauna.

— Eventually, he crosses through a barrier and stumbles onto The Forest of Illusions. This triggers a battle against some armored enemies, but they probably don’t have souls. They’re probably just empty vessels created solely for battle. Needless to say, BBK meets the latest loli to add to his collection: a witch-type loli!

Wut.

— Unfortunately, witch-type loli already has a keeper. Now, how do we get rid of this old hag…

— Oh, she’s already subservient. She saw that bell he had gotten from those rat dudes in last week’s episode, so she thinks he’s an emissary of Bolenan. Well, this makes BBK’s job a whole lot easier.

— There’s some boring stuff about how the old woman and her apprentice have to deliver 600 potions to a count every single year. She also teaches BBK a recipe in exchange for a favor: simply delivering some letter. Considering how she has magic as well as a giant-ass bird to fly her around, I don’t really understand why she needs BBK’s help. Hell, she even lights up a path through the forest to help him leave. What exactly does she need him for?

— The next day, BBK overhears a pair of evil men conspiring to commit crimes — crimes related to the old witch and her apprentice. If the witch fails to fulfill the conditions of the pact, then she’ll lose protection for her precious forest. As a result, the evil assistant viceroy can simply bulldoze her home and establish a new city for himself. Oh no, he’s an evil land developer! If only we could identify these evil men! Those damn hoodies are in the way, though!

— Good thing BBK has special loli-tracking powers. The very next day, he’s quickly alerted to witch-type loli being pursued by evildoers.

— Although he is able to stop her pursuers, she still ends up crashing her wagon full of potions. If this pact is so goddamn important, why did the witch send a small child to do the job? It makes no sense.

— In the end, BBK and his lolis are only able to salvage roughly 120 potions. Thanks to dumping a bunch of character points into negotiation, coercion, and other speech-related skills, he is able to convince the evil land developer to let him craft the missing potions for the pact.

— But oh no, we need vials to store said potion! Oh no, we only have three hours until sundown! Good thing BBK had met a guy at the tavern who would teach him the wonderful world of pottery! So tune in next week for not only exciting potion-mixing action, but a mind-blowing pottery class as well! Or he could just find where the evil guy is hiding that stash of potion vials. Either or… All we need to know is that if BBK plays his cards right, he might even liberate witch-type loli from her keeper!

— Arisa knows what’s up.

Koi wa Ameagari no You ni Ep. 11: Confrontation

$
0
0

Members of the track team marvel over Kurata, one of their peers from another school. Not only has she fully recovered from an Achilles injury similar to the one that Akira had suffered, she’s even looking to set a new personal best on the field. Clearly, it isn’t impossible for Akira to find herself back on the team again. It’s not that she can’t do it. One major problem, however, is that she has no support. Yes, the girl is ultimately responsible for holding herself back, but it’s not as though she has people to encourage her and lift her up when she’s down in the dumps. We know Haruka hasn’t been there for her. She seems to have a friendly enough relationship with her mother, but they don’t appear to be all that close. We don’t know if Akira has any other friends at school, but she probably isn’t close to them either. In the first episode, we saw hanging out with a few girls, but they seem to just be acquaintances. Yui is a friend, but she’s also a work friend. It’s different. My point is simply that Akira doesn’t have much of a support network.

So what is Haruka going to do about it? Just to be completely frank, she’s starting to get on my nerves. All she’s ever done is stand around and look sad. I could understand it if she had a good reason to avoid Akira — like if they actually had a falling out — but she doesn’t. She said it herself that Akira made things “difficult,” which meant Haruka wanted her friend back without any of the hard work of repairing their fraught relationship. She wanted their old, carefree friendship back without having to help Akira fight through both her injury and her depression. To put it bluntly, Haruka has been a bad friend. She’s also been cowardly. Luckily, it’s not too late for her to turn things around. Even now, Akira still wants to mend their friendship.

So when Haruka sees Akira later outside of school, she tries calling out to her former best friend. The latter can’t hear her over the rain, so Haruka has no choice but run out from cover and get herself wet. It’s really quite poignant if you think about it. Up until now, Haruka has shied away from “the rain,” or more importantly, Akira’s “rain.” She has shied away from approaching Akira because she didn’t know how to approach and deal with her depressed friend. And to be fair, she’s just a kid. She can’t bear the burden of her friend’s mental recovery on her own. But as a former best friend, Haruka still could’ve provided much-needed support. Unfortunately, she wanted to have it both ways: she wanted to reach out to Akira, but she also didn’t want to make herself uncomfortable. In a manner of speaking, she didn’t want to go out into Akira’s “rain” and get herself wet. But sometimes, you just have to tough it out. Maybe hearing about Kurata has finally light a fire in Haruka. If so, it’s about time.

Haruka takes a chance, but the world conspires to make her fail. First, a truck blocks her vision, then a red light prevents her from crossing the street. By the time she can look for Akira again, her friend has disappeared from view. The key, however, is to never give up. Just like anything you do in life, there are always going to be setbacks. You just can’t give up. As a result, she pays the diner a visit. It would help if she didn’t show up with such a glower, but this is still progress. She should’ve done this months ago, but it’s never too late to start.

Just earlier, Akira had made her shift request and she wants to work more days than normal. Upon hearing this, Kondo can’t help but think back to their conversation from last week’s episode. He’s finally clued in on what’s truly bothering the girl. He’s also smart enough to realize that if Akira takes on too many shifts, she won’t have any time to go through rehab. Maybe this is her goal. Maybe Akira is unintentionally sabotaging herself. It’s not that she deliberately wants to avoid rehab. It’s more that she doesn’t even want to think about it. And she can’t think about it if she has prior commitments: “Ah, I’m just too busy with work. Maybe next month…” And pretty soon, next month becomes next year, and next year becomes never. We are very interesting creatures. We often set ourselves up to fail without ever realizing it. With only a few episodes left in this series, however, it’s about time for Kondo to push the girl in the right direction. Like Haruka, however, the world conspires to make him fail. He wants to say something to Akira, but what’s-her-face keeps haranguing him about some meeting that he has to attend.

Kondo leaves without the information that he needs to present to the head office, so he hurries back to the diner. As a result, he comes back just in time to see Akira and Haruka’s terse exchange. With Haruka already at the diner, Akira’s two worlds — the two worlds that the girl has fought to keep separate up until now — are threatening to collide. Haruka bluntly tells Akira to return to the team. She confesses that she can’t bear the thought of them growing apart any further. The air is heavy with tension. Even the drinks on the table are sweating profusely. Kondo is in his own diner, but he feels like an outsider peeking in. Eventually, Haruka’s emotions get the best of her, and she’s the first to break the silence. She’s leaving, but not without mentioning Kurata. Upon hearing this, our heroine suddenly feels as though she’s drowning. She didn’t want to think about it; she didn’t really want to acknowledge it. As for Haruka, she said what she came to say, and the ball’s now in Akira’s court.

In the second half of the episode, Kondo’s old friend Chihiro unexpectedly drops by to hang out. Shortly after crashing Kondo’s apartment, the guy wants to take a glance at Kondo’s manuscripts, but our middle-aged manager is feeling shy. Luckily, the former is persistent. At first, these two old friends attempt to write one-minute novels before their coffee is finished brewing. How quaint. Chihiro remembers how Kondo would brag in his youth about one day surpassing Akutagawa. The 45-year-old manager can only sheepishly reply that he was thoughtless in his younger days. This is ironic, of course, because seems unable to put any words to paper nowadays. Eventually, the topic turns back to Chihiro and his newfound success: his novel is getting a movie adaptation. Much to our surprise, however, his old friend is not pleased: “That novel is a piece of shit. An attempt to gain the public’s favor.” This is an interesting development, because when we last saw Chihiro, he was defensive about his novel. In any case, Kondo tries to keep things in perspective: “But your work is helping a lot of people.”

“Literature isn’t something that’s supposed to help people,” Chihiro replies, “Literature should be a poison.” Eventually, the guy confesses what’s truly bothering him. He’s certain that fame will inexorably change his character: “In the end, you just continue producing pieces of shit.” As a result, he came here to find his old self — an old self that is still being preserved in Kondo’s memories. It sounds like he doesn’t want to write gutless tripe that appeals to the masses, but since the guy is barely giving us any supporting arguments for his thesis, I can only speculate. Still, not everyone can become a Van Gogh. Sometimes, you just have to put food on the table. Sometimes, you have to accept that you’re living for more than just yourself. And when that’s the case, you’ll definitely wish you had chosen to become a Thomas Kinkade. Luckily for Chihiro, he appears to be a bachelor with few attachments and obligations in life. He can still afford to be selfish. He can still avoid selling out. But right now, Kondo is seeing what might have been. If he had had Chihiro’s stroke of luck, he would’ve had to choose between writing what he believed in or selling out in order to support his family.

Instead, Kondo just can’t write at all. Chihiro then tries to play off his previous tirade, but that’s only because he’s switching gears. He now wants to be frank about his friend’s mental block. He’s merely echoing what we had already concluded last week. Namely, Kondo can no longer write because he feels guilty. If he tries to rediscover his youthful passion, it’ll only remind him of how he cost himself his own family. If he tries to write without that spark, however, then he’ll only disappoint his former self. Damned if you do, damned if you don’t. Staying true to one’s dream is equated with naivete. For Chihiro, it means financial failure. If he refuses to write for the masses, his next novel could very well strike out. And if that happens, he would find himself quickly fading into obscurity, becoming nothing more than a footnote in history — a one-hit-wonder that’ll only ever come up in games of trivia. As for Kondo, he already knows what naivete got him. But then Chihiro makes another salient observation: “You’re still living for that one dream. That room isn’t about your regrets, it’s about your obsession.” Kondo may have his regrets, but he hasn’t given up. Even though he’s already lost his family, he can’t afford to lose his dream as well. This is why he keeps writing even though he can’t quite finish anything he starts. Kondo will continue his Sisyphean struggle even if all he can do right now is to keep that fire with him from going out completely.

The story’s focus now returns to Akira, who has been lying in bed, staring at her old teammates’ messages about Kurata. Unlike Kondo, she didn’t want to keep obsessing about track and field. Instead, she wanted to replace her one dream with another. This is why news about Kurata didn’t initially phase the girl at all. She had that shift request on her mind, and all she could think about at the time was how she could spend even more moments with Kondo. Haruka’s sudden reappearance at the diner, however, jarred Akira back to reality. She can’t keep brushing her past off forever. Even if she truly decides that she never wants to run again, she has to make a final decision. She can’t just keep running away from the problem and ignoring it. The girl eventually gets up from her bed and pulls her old track shoes out of the closet.

The next day, Akira finds herself lost in the miasma of her thoughts. She’s going through the motions as she continues to deliberate over her feelings. Once again, it takes another soul to jar her back to reality. A customer had left behind a phone, but they are now far off in the distance. Akira found herself in the same situation back in episode two. At the time, she had not fully recovered, so she ended up reaggravating her injury. This time, however, it should be different, but she’s afraid to take off. She’s afraid to admit to herself that she’s the primarily responsible for holding herself back from her dreams. Granted, she hasn’t been through rehab, so it’s entirely possible that she’d hurt herself again. Nevertheless, Akira didn’t even try. She didn’t even make a move. She called out futilely to the customer then proceeded to hang her head in shame as raindrops figuratively appeared around her in a dreamlike space. Akira knows she can only blame herself, but she’s remains paralyzed.

Back in the office, Kondo continues to mull over Akira’s shift request. He continues to be reminded of her words from last week’s episode: “The swallow that truly gives up on flying would likely even forget about looking up at the sky.” This is why he continues to obsess even though he can’t write anything. Now he’s wondering if he can afford to allow Akira to forget her dream. He must feel uneasy. After all, you could say it’s none of his business. He shouldn’t get involved. On the other hand, if he truly considers her a friend — and if he truly means what he says — then he has to meddle in her affairs, right? When Akira shows up in the office, Kondo tries to skirt around the issue. Won’t she have midterm exams to worry about? The girl assures her that she can juggle school and work without issues. He then adds, “If you have something else you want to do more than this job, you should use your time to do that.” That’s never going to work. Akira simply takes it as a rejection. The 45-year-old manager won’t get anywhere if he doesn’t just come right out and say what he wants to say. Like Haruka, he’ll have to put himself in an uncomfortable position if he wants to reach out to Akira. Like Haruka, Kondo needs confront the girl. By trying to avoid unpleasantness, he ends up just angering Akira. How ironic.

It begins to pour.

Misc. notes & observations

— I’m glad to see Kondo react so jubilantly to Chihiro’s good news. Despite his failures as a novelist, he holds no bitterness towards his old friend.

— Kondo’s old friend is quite effeminate, isn’t he? He even wears Chelsea boots.

— At least his son’s hamster buddy is still around. We haven’t seen much of the kid lately, though.

— When Chihiro said that he had brought something special for the two of them, I was not expecting a coffee siphon. How hipster.

— As an aside, I could never get into coffee. Smells great… tastes not so great. An espresso looks amazing, but it ends up just tasting like acrid dirt water in my mouth. And if you try to load up on sugar and cream, the purists start whining from the high heavens about how you’re not even drinking coffee anymore.

— Oh c’mon, you can’t buy a fancy coffee apparatus then resort to pre-grind coffee! Even as a non-drinker, I know that much! It takes only a couple minutes to grind your own beans. I used to do it all the time for my ex. She was the coffee lover, so we had a french press and everything.

— I love the way the show even animates the dust floating in the moonlight. It’s hard to capture in a screenshot. Even a gif wouldn’t do it justice. It’s only something you can appreciate with your own eyes.

— During the scene where Akira gets mad at Kondo, I also love how the frame subtly rotates to convey her spinning thoughts and confusion. She’s losing her grip on her reality.

Killing Bites Ep. 11: Just like Dragon Ball

$
0
0

If Hitomi gets a new form, then Hippie Pangolin gets a new form too! It’s only fair. 

— At first, Hitomi is toying with Hippie Pangolin and having a blast. After all, she’s much, much faster than that armored freak.

— Yoko’s only good for silly faces.

— At one point, she bumps into one of the lights and it threatens to land onto a patch of flowers. Hippie Pangolin goes out of his way just to protect those precious flowers. Hitomi has no clue that he’s such a hippie, so she nearly steps on some flowers herself. This gets Hippie Pangolin real mad.

— It quickly becomes apparent, however, that even in her evolved form (Ultra Instinct?!), Hitomi’s claws can’t even dent Hippie Pangolin. She can keep dodging all she wants, but eventually, one of those blows will land. Oh no, whatever will she do!

— Oh, just come up with a fancy move! ‘Cause y’see, honey badgers go nuts when they have to fight a predator several times their size… or something.

— Hippie Pangolin counters by turning into a defensive ball again. This time, however, Chesty Cheetah warns Hitomi about his sneaky attacks. As a result, our heroine kicks him into a bunch of nearby trees.

— Oh no… I’m the tree-killing baddie now! That’s what he gets for wasting his time here. After all, instead of going after all the environment-harming companies in the world, he’s stupidly participating in this dumb Destroyal. He should be in the Amazon rainforest, hunting down loggers or whatever.

— Needless to say, this triggers a flashback. Something about his dear mommy leaving him, and his terrible father stepping on mommy’s precious flowers. Dumb.

— But this is enough to trigger Hippie Pangolin’s ultimate form: Momma’s Boy Pangolin! Just like Jiren, he too will max himself out to go up against Ultra Instinct Hitomi!

— Before she can even react, our heroine instantly loses an arm. Naturally, she starts crying out in excruciating pain.

— Oh shut the hell up, Chesty Cheetah. Shut up about your goddamn brother. He’s already lost.

— Hitomi bites down on her remaining arm to calm herself down, but the problem is that Momma’s Boy Pangolin no longer cares about the environment. Hitomi quickly finds herself pinned down by her foe’s tail.

— But just as Momma’s Boy Pangolin readies himself for the finishing blow, she quickly dodges out of the way with her missing arm. She chucks it right at the guy’s wounded eye, then in his confusion, she closes the distance!

Mama? You see your mama in this? Man, I feel sorry for you…

— And as a result, Ultra Instinct Hitomi defeats Momma’s Boy Pangolin by going through his mouth and punching out his brains. Something, something honey badgers don’t care.

— Yeah, no shit, Chesty Cheetah.

— Unfortunately, Hitomi keels over from her wounds and goes to sleep. And for some reason, the brainless Pangolin is still moving… how? Why?

— So Chesty Cheetah finally makes her cowardly move. With her claws, she slices Pangolin’s throat which finally kills him for good. For real reals. Yes, that finally kills him. Not losing his brain but having his throat cut. Whatever. So Chesty Cheetah’s the winner, right?

— Silly Yoko face again.

— Not so fast, my friend! Bunny Girl is still alive!

— But Bunny Girl can only run! Ah, but y’see, Bunny Girl can’t even run well. She trips over a rock and inadvertently kicks Chesty Cheetah. This instantly knocks the stupid cat out, and Bunny Girl is now the winner! It’s just like how Frieza is going to win in Dragon Ball Super!

— Silly Yoko face for the last time. Say goodbye to your pervy grandfather.

— Speaking of Yoko’s grandfather, he wants to maintain the status quo, but the winner clearly has other designs.

— All of a sudden, the lights go out across the entire boat. On the island, the film crew has been brutally murdered by chameleons. Lots of them! Someone intends to erase all evidence of this Destroyal. Tune in next week for the Killing Bites’ finale episode! You can’t deny the fact the show is succinct. Had this been Dragon Ball Super, it would’ve taken Hitomi fifty episodes just to master her Ultra Instinct form.

Garo – Vanishing Line Ep. 23: Checkmate

$
0
0

We really gotta do this? Really? Yeah, I’m as perplexed as Sword. 

— I like how Lizzy shows up as a silhouette on Sophie’s phone. I like how the connection is full of static even though everything is digital. If the connection isn’t stable, it wouldn’t look like this but whatever. At this point, who even cares anymore?

— Sword and Sophie re-enter ELDO NET the same way they did it last time: diving headfirst into a vat of liquid. Not only that, Zaruba joins them even though I’m not sure how that would work.

— Elsewhere, Luke tries to fend off his father with his guns. I guess he’s choosing to go it his way, but there’s no reason why he should be ashamed of picking up a sword. He was initially trained to be a Makai Knight after all. I dunno, I guess it just feels like they introduced that element to his backstory only to just abandon it altogether. You could argue that Luke is choosing to emulate his mother, but I would just counter that he could fight with both. Why not? It’d look cool to swing a sword in one hand and tote a gun in the other. Do it Bloodborne style and use your gun as a way to “parry” the enemy.

— I’ll also be disappointed if Luke doesn’t take his father down. It would just feel like he never gets to have his time in the spotlight. On the one hand, they’ve been hyping up Sword versus Knight all series long. On the other hand, if Luke can’t stop his father here, then what is he good for? What has he been training for?

— As for Gina, she’s keeping Queen busy. More specifically, she’s making sure Queen doesn’t make it to Sword… which honestly makes no sense to me. If Queen wanted to get in Sword’s way, she should’ve just waited for him by the entrance to ELDO NET.

— What an understatement. Lizzy also says something about how Sword’s body is now logged into the system, so he can use his Makai Knight powers. I think it’s remarkable that King created this virtual world, but he seems to have very little control over it. As soon as Sword tries to enter it, he should’ve been kicked right out. They made sure to program it in such a way that only Martin and Sophie has authorization to shut everything down, but they didn’t bother to make sure intruders like Sword couldn’t enter in the first place? I mean, you can sit here and justify this all day with half-baked excuses like how maybe Lizzy hacked the system or whatever, but why bother going with a modern setting for this Garo series if you’re not even going to try to portray the technology accurately?

— Yeah, the main storage unit is this cerulean thingie.

— The battle between Luke and his father continues. Apparently, Luke’s close-ranged shooting is not up to par. Oh dear.

Are you sure, Luke? ‘Cause I’m getting the feeling that you won’t.

Sick UI. Orange jello engulfs your hands while some low-res screen pops up.

— MAPPA probably saved all their money for these last few episodes. I’m bagging on the story, but the animation looks pretty decent.

— King just shows up outta nowhere and swallows Sword whole. As a result, our hero finds himself in some gnarly-looking abyss. Again, the animation here is fine. The art direction is okay (King notwithstanding). I just hate the story.

— Won’t King eventually consume every single person on this planet if he gets his way? Wouldn’t it be better to just let humans continue to breed while he feasts on them secretly on the side? Nobody knew anything about El Dorado until King and his cronies made too much noise about it. He could’ve easily just laid low and eat all the people he wanted. Why risk it all by even having the good guys come here and fight you? Yeah, yeah, you can argue that the villain’s biggest weakness is hubris, but as a writer, I can’t help but feel as though you need to be more self-aware than this. You can’t always avoid cliches, but why are we still half-assing these villains by making them too arrogant for their own good?

This part is visually cool.

— I had wondered what Bishop would be doing. Since he’s not a fighter, I guess he gets to tango with Sophie and Lizzy instead.

— Luke is losing his duel against Knight pretty badly again. Looks like nothing’s changed.

— Gina reveals that Queen was a former Makai Alchemist. I guess that’s all that backstory we’re going to get. We get nothing about why she’s so loyal to King. We at least know that Knight is a slave to power.

— Queen retaliates by turning into this beastie. I don’t mind it. It’s better than her human form, which is just way too buxomy (like most female characters in this show). But again, Queen’s Horror form reminds you that King is the odd man out.

— Oh hey, we get to see some familiar faces. I’m not sure what King is talking about, though. Last I remembered, Leon was victorious. I didn’t watch the movie, though. Maybe something bad happened to Leon there.

— Sophie tries to disable the main storage unit even though it’s being protected by King’s security system. She insists that Sword is the strongest Makai Knight of his time, which is probably true. It’s just too bad we never  get to see any of the other Makai Knights.

— Sword then gives a speech about how the human spirit can never be crushed, and he knows this for sure! Visions of a bunch of side characters start flashing across the screen. Look at all these girls fawning over Pedro. That’s how you know there’s hope for tomorrow!

— Mamoru, mamoru, mamoru!

— Oh hey, Luke is actually holding up a sword… it’s not the same sword he grew up with, but it’s not a gun at least.

— As a character in any given action anime, you must say the word “mamoru” a billion times.

— Luke can’t best his father in direct combat, but he hopes that his bag of tricks will at least prevent Knight from interfering with Sword’s mission. Again, if Knight really wanted to fight Sword, he should’ve never come out here in the first place.

Nice virtual keyboard… even though you’re already in virtual reality. Can’t you just, like, issue commands with your thoughts?

— I don’t even really know what Sophie and Lizzy managed to do, but now we have a light show. All Bishop can do is stare with a slack-jawed expression.

— Meanwhile, Gina’s pet protects her from Queen. I don’t even remember its name anymore. In the end, Queen doesn’t really put up much of a fight. Kinda. We briefly saw Gina on her knees earlier looking as if she had been defeated. During Sword’s inspiration speech, however, the Makai Alchemists suddenly stood up to keep fighting. Next thing we know, she’s in her car again. Gina then crashes her car into Queen and whips out her gatling gun. Finally, she stabs her opponent right in the head with two short spears. These two ladies definitely got the short end of the stick since all the attention is going elsewhere. Gina gets her triumphant moment, but the entire fight feels haphazard.

— Sword is being swarmed by data. Okay. But isn’t his existence within ELDO NET also nothing but data?

— A giant King once again threatens to swallow Sword up. He also gloats that he can’t be cut down by a blade in this world. Makes sense. And because it makes sense, watch as Sword cuts him in half anyway. You just know it’s going to happen.

— Sword counters that he should just simply destroy this world… but uh, from the inside? With a sword? You’re going to destroy a virtual world with a virtual sword?

— It’s a neat-looking sword, at least.

— Well, whaddya know… he ends up cutting King in half anyway. What is even the internal logic of this series? Plus, we still have an episode left to go, so… uh… I guess Knight’s going to kick Luke’s ass and become the final boss.

— Dope background. I’m not sure how it represents a virtual world, but dope.

Mamoru, mamoru, mamoru!

— Sophie gets to see her younger self interact with her brother one final time. He then turns to face the real Sophie and tells her the password to disable the main storage unit, but what is he? A figment of her imagination? A remnant of Martin that somehow still exists within ELDO NET? Again, I’m not sure how the internal logic of this scene works, but whatever. Clearly, Garo – Vanishing Line is more interested in how a scene conveys its mood to the audience over anything else. Unfortunately, I’m just not invested enough in Sophie’s story to be touched by this moment.

— ELDO NET will soon be deleted, and that means Lizzy will also disappear as well. Wait, you’re not going to say goodbye to your brother one last time?

— Listen to this techno beat, though.

— Bishop just walks away like nothing — like he doesn’t even care how this whole thing ends. He didn’t really do much of anything this episode, did he? His heart wasn’t in it.

— Yep, Luke loses to his father. Not only does he lose, he can’t even keep Knight from leaving. The guy got shafted. With an episode left, this also means that Knight will have that one last showdown with Sword. Lame.

— Sword races for the exit, but he’s stopped just short by Knight who is already decked out from head to toe in armor. Welp.

— Oh God, the beat’s dropping. Get me outta here.

Darling in the FranXX Ep. 11: One-sided love

$
0
0

When given the opportunity, Ikuno immediately requests to partner up with Ichigo. She justifies it as a back-up plan should they ever lose a stamen, but we all know what her motives are; she’s clearly in love with Ichigo. I’m more surprised that Nana okays it. Surely, they’ve tried this before and it didn’t work, right? If they haven’t tried this before, why not? And as predicted, Ikuno can’t even establish a connection with Ichigo. It could be an equipment issue (no pun intended), but it’s likely due to the fact that Ikuno has a one-sided love. She’s not being honest with herself. She might admire Ichigo, but are they even all that close to each other? Even though Ichigo likely still sees Goro as nothing more than a friend, at least those two have a shared history. We have yet to see anything akin to that between her and Ikuno. But let’s back things up a bit. How did we even get to this point? Well, it’s a long story as multiple interpersonal conflicts collide. One-sided love quickly becomes one of the show’s major themes. We already know that Ichigo has a one-sided love for Hiro, and Goro in turn has a one-sided love for her. The entanglements get even more complicated since Ikuno has her eyes only for Ichigo. As it turns out, things are not so different for Mitsuru and Futoshi either.

In an earlier meeting, Hachi had told Ikuno and Mitsuru that they needed to up their kill counts. Is that the only metric for performance? Obviously, we know what the adults are getting at. Those two have never really had great compatibility to begin with, and we can’t forget that Mitsuru readily ditched his partner for a stab at greatness with Zero-Two. What I’m trying to say, however, is that there are only ever so many enemies to kill in any given mission. If this duo manages to score a higher kill count, wouldn’t this come at the expense of another duo? As such, it wouldn’t hurt for one of these FranXXs to play a support role instead. I’ve always been taught that a balanced team requires at least one member who doesn’t go for all the kills. Instead, they would rather help facilitate the team’s overall success. Mitsuru’s attitude would probably keep him from fulfilling such a role, but I’m just speaking broadly.

Predictably enough, the Ikuno-Mitsuru partnership goes from bad to worse. Chlorophytum completely shuts down out of nowhere during a routine mission. Obviously, it is not really “out of nowhere.” Ikuno and Mitsuru have been having issues since the start of the series, and the guy’s baggage is finally catching up to him. This serves as a nice contrast to Kokoro and Futoshi’s little moment. While those two are happily broadcasting their nonsense to the rest of the team, Ikuno and Mitsuru continue to have their problems play out “behind locked doors.” The rest of the team can’t help, because they never knew they had to help to begin with. The Chlorophytum duo are both paradoxically too insecure and too proud to reach out to others for assistance. We immediately cut to Mitsuru resting in the infirmary. The battle had taken place without Ikuno and him ever participating. Hachi merely tells us that the guy is afflicted with “Child Fever.”

Back in the dormitory, the kids talk about a procedure known as Elixir Injection. It’s a drug that induces yellow blood cell production, but according to Ichigo, Mitsuru is the only kid to ever return from having this procedure performed on him. Kokoro later adds that it only has a 15% survival rate. In any case, we’re getting that yellow blood cell thing again. It came up before, but I never really gave it much thought. Needless to say, humans don’t have yellow blood cells. This anime takes place in some distant future (and perhaps even an alternate universe), so it’s possible that humanity evolved enough to have yellow blood cells. On the other hand, it’s simpler and easier to speculate that these kids are not entirely human. This statement from Ikuno seems to imply as much: “[Elixir Injection] greately increases one’s parasite aptitude.” This would explain why they’re being exploited by the adults. Of course, I’m not saying that this justifies the adults’ actions. Nevertheless, we humans have a penchant for abusing and misusing anything that isn’t like us.

Anyways, when Nana goes to check up on him later, Mitsuru immediately demands to pilot a FranXX. He and Ikuno are placed in one of those test devices, and in reaction to the former’s low scores, Hachi bluntly states that this will make Mitsuru a “pruning target.” This is simply more evidence that these kids are nothing more than fodder to the adults. Nana, however, seems to resist the idea of losing anyone. Maybe she does cares about the kids. Or maybe she just doesn’t want Dr. Franxx’s experiment to fail. We need to see more scenes with her to weigh in definitively on her character. Either way, she tells the rest of the team that they can consider swapping partners if they so wish. Obviously, Zero-Two and Hiro are bound together; we’ve already been through that song and dance. Furthermore, Ichigo and Goro serve as the team’s leadership duo. Do you really want to shake that pairing up? And after last week’s episode, we know things are going well between Zorome and Miku. The trouble is with the other kids.

Juvenile obsession

In Mitsuru’s first nightmare, we see that Hiro was chosen to represent a group of kids (I count 17 of them). More importantly, the former even used to look at the latter with admiration in his eyes. Present-day Mitsuru, however, calls Hiro a traitor. He then wakes up from his dream in a cold sweat. As he starts to get up out of bed, Mitsuru’s narration blasts us with a heavy dose of cynicism: don’t believe in anything, never have hope, promises can only be broken, yadda yadda yadda. So why does he respect Papa so much? Maybe he’s not as gushy about Papa like, say, Zorome, but he’s never this cynical about the adults. Furthermore, he’s in the wrong job if he wants to insist that trust and promises are badTM. Obviously, Mitsuru has no choice in the matter. These kids must fight for the adults or perish. At the same time, however, he should know how important it is for him to be compatible with his partner. Low compatibility means death on the battlefield. Nevertheless, the guy insists that he’ll never put his trust in anyone ever again. Sure.

Later in the episode, Mitsuru has another nightmare. This one reveals that he was never strong enough to become a pilot in the first place. He had to risk undergoing the dangerous Elixir Injection if he wanted to go anywhere near a FranXX. He had also hoped to be Hiro’s partner. As far as we’ve seen — and much to the Internet’s chagrin — the FranXXs aren’t designed to accommodate same-sex partners. But who knows? Maybe the adults just need to be a little more open-minded when it comes to the kids’ experimentation. What’s important, however, is that Hiro and Mitsuru had made a promise to each other before the latter’s painful procedure. The young child risked death just to one day pilot a FranXX with his idol. We might even dare say that he loved Hiro back then. He suffered for Hiro. As a result, his world shattered when he returned from the Elixir Injection to find that Hiro had forgotten all about their promise.

I’ll be honest: I find this ridiculous. I find it outrageous that Mitsuru never questioned Hiro any further about their broken promise. It’s obvious to the audience that something had happened to Hiro. Goro even alluded that the guy’s personality suddenly took a drastic change around this time. The adults properly took him somewhere for further experimentation considering how he’s referred to as Nine Iota by some random kid we haven’t seen again in weeks, but I digress. My point is, I don’t understand how no one else realized it. I don’t understand how Mitsuru could’ve followed Hiro around like a lost puppy at the orphanage and not realized that something had changed in his friend. I don’t understand why he doesn’t try and help Hiro. Hiro simply remembers nothing. Not only that, he carries on as if nothing’s wrong, which only serves to rub salt in Mitsuru’s wounds. Clearly, he had to suffer greatly to undergo the Elixir Injection. Clearly, he’s hurt. But his reaction just seems disproportionate to what he perceives to be Hiro’s great transgression. I dunno, maybe it’s just me but I’m not convinced.

Anyways, when given the opportunity to swap partners, Ikuno decides to needle Mitsuru: “You want to be acknowledged, but not by Papa or the adults–…” Mitsuru immediately cuts her off in rage. She understands him better than he would like to admit. This is probably why the adults ever thought they were compatible in the first place. Ikuno probably even feels that they’re a bit like kindred spirits. After all, she’s got a one-sided love for Ichigo, and Mitsuru has this toxic one-sided love-hate thing for Hiro. As stated above, Ikuno eventually requests to partner up with Ichigo. Mitsuru, however, doesn’t request to partner up with Hiro even though he probably should. Instead, he stays quiet. He’s too prideful. One also wonders if Hiro will ever understand why Mitsuru is so mad. He’ll probably have to recover his memory first though. In any case, by the end of the episode, Kokoro will have taught Mitsuru that it’s okay for him to believe in not just others but himself as well. As a result, he relents a little. In his narration, Mitsuru tells us that he doesn’t know if he’ll ever forgive Hiro, which, I guess, is progress.

Trouble in paradise

In contrast to Ikuno and Mitsuru, Kokoro and Futoshi always appear to get along. “Appear,” however, is the operative word. Nana mentions something interesting in this same episode: in addition to their individuality, Squad 13’s success can also be attributed to the team’s simultaneous puberty. Conflicts — even interpersonal ones — appear to “[draw] out the full abilities of these children.” As such, the story seems to subscribe to the idea that conflicts bring out the best in us. If you go too far in one direction, you end up with Ikuno and Mitsuru. Those two can barely work together because they simply don’t get along. On the other hand, if you can never ever be critical, then you lack the ability to self-improve. Every couple fights. They don’t need to fight every week or even every month, but it would be odd if they never fought about anything. Case in point, Futoshi asks Kokoro if she would promise to be his partner forever. She barely takes a second to consider his requests before answering affirmatively. Neither of them are taking this as seriously as they should. Neither of them are really considering what their partnership entails. The guy is lost in his puppy love, and the girl is just casually going along with his whims. Kokoro wants to be the peacekeeper even when it isn’t necessary.

During the whole partner-swapping discussion, Futoshi wants to insist to Kokoro that they have their promise, but are their numbers even good? Is he being objective about the superiority of their teamwork? Furthermore, the adults are likely more inclined to prioritize the entire squad’s overall teamwork over any particular couple’s synergy. More important than anything I’ve just listed, however, is the kids’ happiness. Futoshi is obviously content with Kokoro, but is she content with him? And like I said before, Kokoro never reveals her true feelings; she always wants to keep the peace. She’s a big softie at heart, but this also renders her cowardly. She’s always hiding behind a smile even when it’s no longer genuine. Her partnership with Futoshi is obviously not all roses, but when a couple never fights, that’s a red flag. He doesn’t understand her as well as he thinks he does, and she is too afraid to confront him about anything. Maybe his clinginess is a turnoff. Maybe he’s too overprotect of her in battle, and she feels as though they can never reach their potential. Maybe she’s just tired of being pigeon-holed as the nice, perfect girl who never stirs up drama so she self-destructs their partnership.

As a result, it is Kokoro who volunteers to become Mitsuru’s partner. Make no mistake, this is for her. She’s doing this for herself. Hiro later suggests, “She’s really nice, so she must’ve felt she had to do something for Mitsuru,” but this is not the whole story. She’s unhappy with something about Futoshi, but she doesn’t have the heart to hurt him directly. This Partner Shuffle nonsense, however, gives her the excuse to get away from her overly-doting partner. Even with Mitsuru, Kokoro’s personality doesn’t fundamentally change. She’s still super nice and super supportive. She gives Mitsuru the encouragement he needs to believe in himself and continue fighting. She gives him a reason to live even though he is all but ready to throw his life away. After all, giving up on the battlefield means you’re no longer useful to the adults. And if you’re no longer useful to the adults, you’ll quickly find yourself with a death sentence. So why did Kokoro destroy her partnership with Futoshi for a less-than-ideal one with Mitsuru? Well, human hearts are fickle. Even when things are going mostly well, we still reach out and yearn for the remaining 10% that eludes our grasp. Kokoro admits she hurt Futoshi greatly, but she won’t be happy if she’s always selfless. She needs to think for herself too. This adds much needed complexity to her character, which up until now has been far too generic and cookie-cutter.

The ongoing Zero-Two problem

Hiro continues to try and dig away at the wall that Zero-Two has erected between them, but the girl is not forthcoming. All of a sudden, she appears to fear intimacy. Maybe she’s always feared it. Earlier in the series, Zero-Two was all over her partner. She clung to him like a lover going through the honeymoon phase. But that was all a game, wasn’t it? She was having fun teasing Hiro and the rest of the kids with her lovey-dovey nonsense, wasn’t she? When it comes right down to it, however, Zero-Two is afraid to really open up to her partner when it counts. Maybe she’s scared that he won’t understand what she’s going through. Maybe she’s scared that if she opens up to him, they’ll become too close as a couple. Since she’s always so certain that everyone will die in battle one day, she doesn’t want to form any sort of attachment to Hiro. She wants to die with him, but she doesn’t want any of that to be emotionally painful. At the moment, however, we can only speculate since we don’t know what’s actually bothering her either.

On the battlefield, their compatibility remains high. Well, high enough to get the job done. Zero-Two and Hiro’s partnership has always been different from everyone else; they actually share control over Strelizia. Hiro is often content to let Zero-Two do her own thing, and that works for them 99% of the time. This week, however, the situation gets a little messy. When a Gutenberg-class klaxosaur shows up, Zero-Two immediately rushes Strelizia into battle. At one point, Hiro has to restrain her from getting too reckless. Clearly, she’s hungry for a fight, but why is that? Zero-Two likely feels as though she’s losing her identity by being on this team. On the one hand, she wants to be human. She doesn’t want to identify herself as monster like these klaxosaur. On the other hand, joining a team has made her soft. It has made her yearn for intimacy and camaraderie from Hiro and the rest of the kids respectively. As a result, she throws herself head first into battle because it’s what she’s always known. What’s familiar to us also feels safe to us. In contrast, her partnership with Hiro is unexplored territory. She wants a darling, but only a darling that she can die with. She has never considered growing old with her darling. This realization frightens her partner, though.

Hiro’s not necessarily scared of her. He is, however, scared of the idea that Zero-Two is so ready to die.

Misc. notes & observations:

— I’m getting the impression that former Hiro was a bit of a golden child. At the very least, he may have seemed like one from the kids’ perspective, and that can always breed resentment.

— Dude, Futoshi has a baguette in his bed? They’re Flanderizing his love for food before he even gets the chance to be a full-fledged character. Plus, it’s his turn to get some character development this week. We seem to be double-dipping with Mitsuru as well.

— Much of Squad 13’s overall improvement is occurring offscreen as we hear Ichigo report their latest mission success. I’m fine with that. Like I’ve said before, the mecha part of this anime comes third to the character drama and dystopian vibes, and I prefer it that way.

— Conrad-class, Guten-whatever-class, so on and so forth. Hana tells the children that the S-Planning is doing well. At some point, I hope to find out what any of these labels actually mean.

— Hachi is in disbelief: “That would be a total refutation of our prior methods.” That happens all the time in research, buddy.

— Apparently, this is S-Planning. And like us, the kids don’t know what’s going on here either. The adults are digging for something is pretty much all we get. Zero-Two adds that the stench of klaxosaur is heavy in the air. Whatever S-Planning is, it’s drawing in the enemy.

— Futoshi is so cringeworthy. Over and over again, he gets on my nerves in this week’s episode. This is why I don’t mind at all that Kokoro ends up torpedoing their relationship. He’s such a sad sack. He even ends up crying in battle. Actually, he reminds me of someone I work with.

— Aw, do we have to kill them? They look so cute.

This will probably get the Internet mad again. The kids don’t have a choice in the matter. The adults decide everything. And why would they do it this way? Think about it. What are the ideas that this show is trying to challenge?

— There’s truth in Zorome’s bluntness. Unfortunately, no one really takes him seriously.

— Kokoro continues to obsess over baby-making. Considering how we’re now wondering if these kids are even human, we must naturally wonder if they can even make babies.

— Despite this show not really focusing on the mecha aspect as much as advertised, this episode actually has some pretty exciting action. The klaxosaur-of-the-week, however, looks too adorable to be threatening.

— It has some cool tricks, though. For one, it can quickly heal up its wounds. It can also extend its reach a great distance. Chunks that falls off instantly becomes miniature klaxosaurs as well. As a result, Goro instantly deduces that this Gutenberg-class baddie is actually made up of smaller Conrad-class baddies. But if that’s the case, shouldn’t the big klaxosaur have a bunch of mini-cores?

— We finally get to see another FranXX threaten to enter Stampede Mode. It looks kinda silly since Genista has that top hat. As an aside, people will probably be mad that the FranXX turns into a beast without the male component, but this completely disregards the fact that the FranXX is useless without the female component. The boys are helpless without their partners. This isn’t the case at all for the girls.

— And in the end, Strelizia gets to strike a pose.

Groan. And as a result, I feel nothing for the guy and his one-sided love. He’s my least favorite character on the show.

Gakuen Babysitters Ep. 12 (Final): No kids were harmed in the mak-… nevermind

$
0
0

This is it, folks. No more babysitting after this week. Say goodbye to the little kiddies! 

— Ryuichi’s friends invite him out to the movies, but he can’t leave his brother behind. This is where Saikawa comes in and offers to watch Kotaro for the night. Is this the first time we’ve seen Ryuichi do anything fun without his brother? I… I think so. All it took was, well, the very last episode.

— Even right before he leaves, the kid still offers to cancel. Saikawa, however, counters that it’s a priority for him to cultivate relationships with his classmates. The butler ain’t wrong. Ryuichi won’t be well-adjusted if the only people he ever spends time with are a bunch of toddlers, an abusive Hayato, and the battle-axe Maria.

— Oh my god, it’s like he has a complex.

— Look at that photoshopped pot of flowers.

— Seriously? You’re going to use a cat’s toy to entertain the kid? Sadly, it works.

— I don’t even know who these guys are. They’ve probably shown up in the classroom scenes, but I bet they’ve never had more than just a couple lines of dialogue per episode.

— Hayato shows up with a bite mark from Taka. Children who bite often have little to no self-control. Also, the kid grows up in a violent household, so yeah… The anime probably think it’s cute that Taka wants to be his big bro all the time.

— Man, I hate to have to agree with the child-beater.

— Oooh, scary.

— Saikawa is now training Kotaro to play fetch. He’s treating the kid like a pet.

— Kotaro eventually wanders into a mini-library, which triggers Saikawa’s memories of the chairwoman’s late son and daughter-in-law. The man is drawn like he’s in his late 40s at the very least. His wife, however, maintains her youthful beauty. Odd. We also learn that the chairwoman still cleans the room.

— Kotaro eventually picks out a book on love poetry for Saikawa to read to him. It seems like the kid’s doing perfectly fine on his own. The sight from the outside is almost enough to make the chairwoman think that her son and daughter-in-law have returned. I guess the show wants to make me tear up, but there has been absolutely no mention of the chairwoman’s dead family since the first episode. I’m not invested to any degree in this little subplot, but I guess it’s better than the ridiculous child-beating that we often see from this series.

— After the movie, Ryuichi takes off running, because oh my gosh, he’ll be returning slightly later than he had anticipated. It doesn’t help that Kotaro is sitting in front of the front door, waiting for his brother to return like some loyal dog.

— In any case, Ryuichi finally feels at home at the chairwoman’s place, so we get that ol’ “tadaima-okaeri” exchange. That wraps up the first half of the episode. Now for the very last story of Gakuen Babysitters…

— All of a sudden, it’s now Christmas-themed.

— Usaida teases Taka about Santa only visiting good boys and girls. This makes the kid cry, because everything makes him either scream or cry. So what happens? Hayato punches Usaida in the head. Ho ho ho, that’s so funny.

— Taka then asks his brother if Santa will come to their house, but this is Hayato we’re talking about. As a result, he tries to tell their presents have already been bought by their mother. Ryuichi freaks out, however, and covers up Hayato’s mouth. After all, you can’t shatter a kid’s dream or something. But growing up in an Asian household, Christmas was never a big deal to my family. I don’t know if it’s any different in Japan, but my mother never bothered to let me believe in Santa, the tooth fairy, or any of that made-up stuff. I feel like fried chicken is more traditional for Japan than Santa, but maybe I’m wrong about that.

— Well, we all know where this is going: someone’s going to have to dress up as Santa.

— Kirin’s dad is back for one brief scene, and he’s as gross and disgustingly over-protective as ever.

— Meanwhile, the girls are content to just spy on the toddlers as if they’re at a zoo. Don’t tap on the glass.

— That’s why you always use protection, kids.

— As you might expect, this guy immediately got a swift beating from his friends even though Ryuichi doesn’t even care. People are so quick to resort to violence on this show.

— At some point, the conversation turns to Ryuichi not having a phone. If you’ve forgotten, Kotaro had dropped it into the toilet. Ryuichi’s friends tell him to ask the chairwoman for a new one, but the kid’s such a saint, he wouldn’t dare ask her for anything.

— This is why we now suddenly see Hayato standing outside the chiarwoman’s office. I don’t know if we’ve ever seen these two interact before. Aaaaand… we don’t see them interact ever. We just cut right to the chairwoman’s home.

— Yo, that’s not fried chicken.

— Both the chairwoman and Saikawa are busy, so Ryuichi starts freaking out. After all, there’s no one to keep Kotaro busy while he tries to get into his Santa costume. Dude, at least eat the food first before worrying about becoming Santa.

— Unfortunately for him, his brother follows him to the restroom like a pet. Seriously, what’s up with that? My cat stalks me to the restroom too.

— That’s when the doorbell rings and “Santa” shows up anyway. And of course, Ryuichi gets his new phone. Yawn. Is it over yet?

— Even in the final group picture, neither Maria nor the chairwoman will smile. In truth, I don’t smile either, so I can’t judge. I simply just avoid all pictures. But that’s it for Gakuen Babysitters.

Final thoughts: The show accomplished exactly what it set out to do, but what it set out to do wasn’t all that impressive to begin with: a cloying story about a saintly brother working part-time at a daycare room. Proper execution could’ve still saved Gakuen Babysitters from the trash heap, but there was no character development whatsoever. Even though we followed Ryuichi and Kotaro for an entire year, nothing important ever happened. Ryuichi’s struggle felt disingenuous, because we never ever see him act like a teenager. We never saw him try to juggle schoolwork, making friends, and babysit his brother. All we saw, actually, was the babysitting part. Being a teenager is difficult. You know it and I know it. We’ve all been there before. By focusing just on the babysitting angle, the story did itself a disservice. It failed to properly engage the audience by excising the one part that most of us could honestly identify with. For the most part, Gakuen Babysitters is your average, half-assed slice-of-life anime in a nutshell.

If I could just stop here, however, I would’ve given Gakuen Babysitters a C-grade. Unfortunately, that’s not all. The show also had a bizarre violent streak that it not only attempted to normalize but also play off as humor. There was a dash of sexism here and there, but I found it absolutely galling that we had to see Hayato punch everyone in the head from start to finish. I mean, if you want to talk about a lack of character development, you need not look any further than that guy.

Final grade: D

Kokkoku Ep. 12 (Final): Um, okay…

$
0
0

This finale episode was definitely something. 

— Anyways, we pick up where we last left off. Juri intends to raise Sagawa, since they can’t just abandon a baby. Shiomi wants to just get rid of Sagawa. After all, what if the baby regains his evil memories?! No, Shiomi, murdering babies is wrong. Murdering is wrong.

— Both Juri and Majima offer some weak explanation on how Sagawa wouldn’t get his memories back, but whatever.

— Right before sending Majima back to the real world, Juri slaps the girl right across the face. It looks painful, too. Why did she do this? Because she wanted Majima to lift her spirits… yeah.

— These two suckers get sent back as well.

— In the meantime, Juri will have the baby and her grandpa to keep her busy, but that doesn’t last long. When they take a family trip to the amusement park, the girl correctly reasons that they need someone to explain everything to the family. Grandpa is the most reasonable candidate for that job. The old man wants to go back when he decides that he’s ready, but his granddaughter had other designs.

— And now, it’s just her and the baby. Y’know, she started off this series hoping to become an independent working woman. Now? She’s a single mother.

— Even with a child, Juri runs the risk of going insane. After all, babies aren’t exactly great conversationalists. Nevertheless, she knows she’ll have to send Sagawa back to the real world as well. She just has to wait for the kid to grow up enough that it can withstand one of her jellyfish-expelling moves. Months go by in a flash.

— Wait, would he still be Sagawa? Wouldn’t he now take on the Yukawa last name? Yukawa Junji? Again, whatever…

— By the way, doggy Tobino is still running around. I guess it doesn’t need food? Or maybe it does eat, but we just never get to see this in action.

— Eventually, Juri sends the baby back too. She tries to keep herself sane by visiting her family. Now that she’s all alone, she even decides to indulge in some “vices.” This only really amounts to, well, drinking shochu highball and reading manga. Hoo boy, this party’s starting to get wild!

— Y’know, it was easy to hand-wave away the minor inconsistencies when they were just spending a few hours in this world, but the logistics of Juri living in Stasis for months and months on end just don’t add up when you try to think about it. For instance, toilets wouldn’t work, so how is she getting rid of her own personal waste? Is she just picking random spots in nature to take a dump every single day? When time starts flowing in the real world, people will just randomly see excrement pop up out of thin air?

— Plus, there’s that whole thing about stopping photons completely, but let’s just ignore that too.

— Let’s instead focus on Juri going nuts.

— Juri finally decides to trim her long hair, because she’s decided to go on a trip. In anime, characters can always cut their own hair perfectly. I recently replayed Final Fantasy IX, and there’s a moment where Dagger takes a dagger (no, really) to her long hair. In one single motion, she gives herself a haircut that most women would probably have to pay 40 bucks for. Amazing. That’s the power of the Crystal for ya!

— On Juri’s trip, she messes around with a “live” baseball game, sleeps in her underwear in front of strangers, and munches on cotton candy that she somehow spun herself. Or maybe she just stole one from someone who had just bought it. In any case, none of this can sustain Juri for long. As despair slowly starts to creep in, she even begins to see strange, wonderful creatures.

— This is the only interesting moment in the episode. This is the only moment in the entire series that even remotely feels surreal.

— Basically, Juri is running the risk of becoming a Herald.

— For some reason, doggy Tobino shows up on the scene and knocks the girl out of her despair for just a brief moment. I guess he’s been following her.

— But as the girl begins to undergo the transformation process, she suddenly spots a light in the distance.

— It’s… it’s that woman from the very beginning of the first episode. Juri essentially pulls her into Stasis. Oh no, this is bad, right?

— Well, here comes to dumb part of the episode. The woman reveals herself to be the original, original Founder. She was born with Specters permanently in her body, and as a result, she can enter and exit Stasis out of her own free will. Not only that, she has existed for centuries. Centuries, dude. Why is this not bigger news? Why isn’t she more well-known and famous? She also confesses that she can’t die. She can’t age. Well, she must have been a baby at some point. How did she get to this age? Finally, there’s also the fact that her husband created the two Stones–… ah, who cares? This is all one dumb last minute explanation. All we need to know is that she can free Juri from Stasis… which is exactly what she does. Just as Juri was about to fall completely to despair, she happens to stumble across the one person out of the seven billion people on this planet that can save her. Yeah, great.

— So that’s that. Juri is back in her world, and she comes home a loving family.

— Also, she has son permanently now. Isn’t that also great?

Final thoughts: This show never really amounted to anything. There are no interesting character arcs to follow, no valuable lessons to learn, no heart-stopping action to enthrall us. It was just one flat ride from beginning to end. Not only that, the story took the laziest way out of every single possible scenario. Juri freeing herself from Stasis epitomizes exactly what I’m talking about. Some random, one-in-a-billion roll of the dice is what ends up saving the day. Weak. Maybe the show could’ve been saved itself by leaning more heavily on its supernatural or surreal elements. Maybe. Instead, it opted for flaccid family drama and the most uncharismatic villain I’ve ever seen.

Final grade: C-


Everything Else Pt. 12 (Winter ’18)

$
0
0

Don’t despair, guys! We’re so close to finally moving on from this winter season! Wait a minute, I actually enjoyed quite a few shows this season. That’s a first.


Dagashi Kashi S2 Ep. 11

With his friends’ help, Coconuts manages to finish his manga chapter in time. Unfortunately, you can’t fool a professional. One glance at Coconuts’ work and the editor can tell that it’s a rushed hack job. The kid is devastated; he can’t even bear the thought of returning home and delivering the bad news to Hajime. Nevertheless, this is a good goddamn lesson for him to learn. I think we all encounter this exact situation at some point in our lives, too. I coasted through high school and still got straight A’s. As soon as I got to college, it quickly became apparent that the same half-assed effort wasn’t going to fly. Luckily for Coconuts, his career isn’t at stake. His grades aren’t at stake either. He simply dropped the ball for some random contest. He can easily recover from this if he takes the lesson to heart. Plus, he’ll have Hotaru to help him:

Next week’s episode should do it for this second season of Dagashi Kashi, and honestly, I wouldn’t mind seeing another sequel. Bring back the full length episodes, though. I hate the shortened format.


Dragon Ball Super Ep. 131 (Final)

Welp, that’s all she wrote, folks. The only proper way for this series to end is to have the frustrated wives turn away from their meathead husbands in exasperation.

I personally would’ve had Vegeta take Frieza’s place in the final episode, but whatever. Just look how heart-broken Vegeta is, though.

Android 17 ends up being the winner of the whole tournament by default, and as expected, he wishes for all of the universes to return. Basically, the Tournament of Power didn’t really amount to anything. Goku even loses control of his Ultra Instinct form, but he’ll probably get it back in time for the next Dragon Ball movie.

On the other hand, Frieza gets to come back to life, which just seems asinine to me. After all, this guy is a intergalactic mass murderer. So was Vegeta, sure, but we at least know that Vegeta has changed for good. On the other hand, Frieza says outright that he doesn’t intend to be any less evil. But whatever, that’s Dragon Ball for you.

Basically, it’s the same mindless show it’s always been. This probably would have blown my mind back when I was still in middle school, but it just doesn’t cut it anymore. Some of the earlier fights might’ve featured a modicum of strategy, but not against Jiren. Not really, anyways. If you’re going to argue that Goku and Frieza sacrificing themselves in order to take Jiren out of bounds is top-notch strategy, then you’re on the wrong blog. Moving along, the animation is alright, but the show cuts way too many corners with repeated callbacks. Plus, I could always skip the first two minutes of every episode since they’re nothing but recaps of what had happened the previous week. Last but not least, Jiren was such a weak, uninspired villain. His personality, his motivations, and his backstory were all pathetically half-assed.

Final grade: I’ll just grade the final arc, so uh… I guess about a C-.


Hakata Tonkotsu Ramens Ep. 11

Even though Feilang survived, he ended up being sold to a pervert who abused him all throughout his childhood. I thought he was trained to be a killer, though. Shouldn’t it have been easy for him to kill some random dude, child molester or not? Or was this guy also a hitman? Ah, no matter. Feilang claims he just wants Lin to join him on some worldwide assassination tour, but who’s going to believe that? Anyways, this week’s episode mostly serves to set up next week’s finale. As a result, we get to see all of Lin’s friends drop by and treat him with kindness. In the end, he tells Feilang that he loves this city despite all of its brutal violence. Feilang fittingly responds by swearing to kill every single one of Lin’s friends. But the problem is that we know this won’t happen. It can’t happen. It’s not in this anime series’ nature.

For a show all about hitmen and cold-hearted murders, none of the good guys ever die. Hell, they don’t even so much as lose a limb. Hakata Tonkotsu Ramens wants to be a feelgood anime despite its subject matter, which is just patently ridiculous. I’ll readily admit that I ended up enjoying this series more than I thought I would, but I can’t deny the plain fact that it’s shooting itself right in the foot with its nonsense refusal to ever raise the stakes. Every apparent betrayal always turns out to be a ruse. Case in point, Nitta pretends to hand his childhood friend Saruwatari over to the Kakyu Association, but — BIG SURPRISE! — he always intended to save his friend after getting the bad guys’ money. Oh man, I totally didn’t see that coming. Phew, what a topsy-turvy anime I’m watching!


Ito Junji Collection Ep. 12 (Final)

This is it? This is the last episode? Yeah, yeah, I know there are still two OVAs coming up, but man, talk about a letdown. Ito Junji Collection joins Kokkoku and Violet Evergarden as my biggest disappointments of the winter season. What a shame. Bad animation, bad voice-acting, and cut corners everywhere. Ito Junji deserves better than this.

Final grade: D


Karakai Jouzu no Takagi-san Ep. 11

Nishikata finally managed to land a critical hit on Takagi without realizing it. It was such a cute moment that I decided to look up that spin-off manga where he and Takagi have grown up and gotten married. They also have an adorable daughter named Chi:

The sad part, however, is that even as a married man Nishikata is too embarrassed to do things like lay his head in his wife’s lap. God only knows how Chi was ever conceived.


Overlord II Ep. 11

Well, we finally get to see more than just Climb do battle this week, so that’s cool. Evileye can defeat Entoma, the insect maid, and all it takes is a can of Raid. Unfortunately, she can’t beat Demiurge (naturally), but Momon shows up “out of nowhere” to save the day. No, really, that’s the master plan. He’s going to pretend to defeat the big, bad demon boss, this’ll make all the weaklings fall in love with him. And by fall in love, I really mean Evileye falling in love with him, ’cause every goddamn isekai show is just a harem series in disguise. Ho-hum. The show’s kinda predictable. But like I said, I’m still thankful for the fact that I didn’t have to spend most of the episode gawking at Climb fumbling around with his sword.


Takunomi Ep. 11

I’m not a fan of hot sake. I like my dinner beverages to be cold and refreshing.

am jealous of this hot pot, though. I haven’t had hot pot in over a year, but at the same time, I’m not willing to go and pay top dollar for the experience in San Francisco. I could make it at home, but it’s too much for one person, and I’m too lazy to clean the place up for guests.

Oh, I guess I’ll use this opportunity to complain about the dinner I had at International Smoke last Friday.

My appetizer was a red curry soup with dungeness crab, but I tasted neither curry nor crab. It was very sour. In fact, it kinda reminded me of a sweet and sour soup in Vietnamese cuisine. On the side, you’ll see a cornbread topped with more red curry. The first bite was fine, but the whole thing was too sweet. Also too large a portion for such a tiny amount of soup.

My main was a black garlic and miso salmon fillet swimming in a kimchee stew. The kimchee flavors were really muted. Not enough spice, not enough pungency. The salmon was okay, I guess.

My dessert was a banana tarte tatin. It looked nice, but I couldn’t finish the dish. There was a strange bitter aftertaste from the caramel sauce. All in all, the whole dinner was a huge letdown. The service was bad too, but I don’t wanna get into that.


Toji no Miko Ep. 12

Basically, Yukari allowed herself to be possessed by Princess Tagitsu in order to save Kanami and Hiyori’s mothers. She placed her bet on the future, hoping that when Princess Tagitsu restored itself to full strength, there would be toji strong enough to take down the monster. Well, none of our toji are good enough. The big, bad baddie pretty much has them defeated. All of a sudden, Kanami is possessed by her mother’s spirit. Nope, you didn’t read that wrong! Through her daughter’s body, Minato weakens Princess Tagitsu enough for Hiyori to use her mother’s special sealing move. But like Minato, Kanami saves her best friend in the end. Awww… that feels cheap, though. I mean, when you start pulling ghosts out of your ass, yeah, that’s cheap. But where do we even go from here? If Princess Tagitsu is truly defeated, what’s even the point of the second cour? Are you telling me that Yume will become an evil aradama that will threaten the world? I guess we’ll just have to wait and see… or will we? Should I even bother with this nonsense next season?

Mid-series grade: C-

A Place Further Than The Universe Ep. 13 (Final): The end of the road

$
0
0

For the most part, Shirase has recovered from last week’s events. How’s she doing? Pretty good, it seems. Pretty, pretty good. Out of nowhere, Shirase wants one of her friends (not Mari) to cut her long hair. In fact, she wants it trimmed all the way up to her shoulders. That’s a pretty drastic change, but y’know, maybe she wants a fresh start. Maybe Shirase feels a little more grown up after what she’s just been through. There’s also another really important factor. In last week’s episode, Shirase often spoke about a certain disconnect that she felt. She was retracing her mother’s footsteps, but she couldn’t get as excited as she thought she would: “The most I could muster was ‘Wow, it’s just like in the pictures.’” After finally breaking down and allowing herself to truly mourn her mother, however, it appears that Shirase can finally the greatest amount of appreciation for even the smaller things in life. Something as simple as a haircut is enough to make her beam. Essentially, she’s proud to be her mother’s daughter. It’s not that Shirase was ever ashamed of Takako. No, it isn’t that. She just always had a cloud over her head — a cloud of anger and sadness. It gave her the determination to reach Antarctica, but it also dampened her enjoyment of the trip and, well, life in general. But now, Shirase no longer has any baggage left to carry.

During the going-away party, Shirase stands before the entire team and delivers a speech that pretty much sums her the entirety of character development over the course of the series. She couldn’t fully appreciate Antarctica because she never got over her mother’s death. She never cried, so she never mourned. It was if she was trying to hold onto any tiny glimmer of hope that her mother would still be alive in Antarctica somewhere. But if you refuse to cry, you also refuse to hit the proverbial reset button on your emotional state. As a resulted, dark feelings built up inside Shirase until she became numb to Antarctica. Interestingly, a small part of her also resented her mother’s obsession. From a certain point of view, you could say that Takako’s love for Antarctica drove a wedge between her and her family. But after coming here and experiencing the awe-inspiring continent for herself, Shirase can understand the love that her mother must have felt. It wasn’t easy, and she definitely needed all of her friends to help her, but she can now honestly say that she’s finally moved on.

Off to the side, Gin can’t help but shed a few tears, which is rare because she’s often so stoic (even though she did shed tears in last week’s episode as well). What’s interesting from all of her flashbacks is how she initially resisted becoming any sort of parental figure in Shirase’s life, but Takako kept leaving Gin alone with her daughter. Naturally, the two bonded over time. She taught the girl how to jump rope, she taught the girl about Antarctica, and she also taught the girl about basic common sense like not giving money to strangers. This is noteworthy, because Shirase doesn’t have a father figure in her life as far as we can tell. In fact, it’s as if she’s been raised by two mothers. This is a low-key but fascinating element to Takako and Gin’s relationship. So fittingly enough, Shirase decides to leave her mother’s laptop in Gin’s care right before she leaves. Even though it was an unrealistic, one-in-a-bajillion-trillion hope, the girl had hoped to come to Antarctica to bring her mother home. But now that she’s returning home, this is her way of accepting the fact that her mother belongs in Antarctica with her other parent. It’s her way of letting go of the past.

Later that night, Gin takes a peek at Takako’s laptop. It doesn’t surprise me at all that she would know her late friend’s password. On it, she of course finds all of Shirase’s unread emails. More importantly, however, she sees something I never noticed: a curious outbound message. It was there in last week’s episode too, so I guess Shirase couldn’t spot it either. The girls are now on the boat that should take them all the way back to Fremantle. Now that summer has ended, Mari and the girls get to see aurora australis after all. All of a sudden, Shirase gets her mother’s last email. It had remained unsent for so long, but inspired by the girls, Gin helps the email complete its journey.

What a surprisingly great show. Let’s get the negatives out of the way first, though. A couple of the middle episodes flagged a bit, and I didn’t love the way they resolved Hinata’s subplot with her former track teammates. The animation is clean and the character designs are pleasing to the eye, but the show’s direction is relatively straightforward. But other than those relatively minor blemishes and nitpicks, however, A Place Further Than The Universe is a heartwarming, emotional triumph. I never thought I’d like one of these “cute girls doing stuff” shows, but this anime is more than that. It’s not just some aimless slice-of-life anime with no beginning nor end. It’s a coming-of-age story that combines friendship, loss, and a fantastical journey in one shiny Madhouse-animated package. And unless something drastically changes over the last few days of this winter season, I think it’s safe to say that A Place Further Than The Universe managed to deliver the highest emotional moment of any other show this season. I don’t think anything we’ll see from Violet Evergarden or After the Rain can compete with Shirase turning on her mother’s laptop and seeing all of her unread emails stream in.

Final grade: A-

Misc. notes & observations:

— Mari woke up from the alarm clock and still managed to be late? Hmm.

— I bet the pork is half frozen.

— This is it. This is the denouement to mark the end of our journey.

— Some people feel the Calpis is too weak, others think it’s too strong. I don’t like Calpis at all.

— Yuzuki briefly mentions that she’s been interviewing people, which reminds me that the whole high school girls reporting and blogging about Antarctica hasn’t really gotten as much attention as I thought it would. For example, are they getting low views or high views? Is the public’s interest in Antarctica improving at all? Will this civilian expedition team fare better in the future? Maybe this episode will finally tackle those questions as we wrap up the series (note: it did not).

Me too. Honami’s kinda childish, though. What’s her deal? We just never had time to devote to any of the side characters, so she and Nobue are kinda gimmicky. Honami cries a lot, and Nobue… well, she cries too but for her boyfriend Yuu.

— Asians always do the peace sign in pictures.

— Even though we’re so far away from the characters, we know exactly who screamed this.

— Supposedly, you’re not allowed to remove anything from Antarctica, so they’re grabbing these chunks of ice to take back to the base with them. Thanks to its high air content, the ice pops in your mouth, so I guess it’s kinda like an icy version of soda.

— Since it’s technically summer in Antarctica, it’s only fitting for the group to enjoy shaved ice before the show comes to an end.

— Yo, that penguin is sneaking up on Shirase.

— Oh god, they dug a small trench just for nagashi soumen. It’s where noodles come flowing down a half-tube. I’ve actually done this before, and um… it’s novel, to say the least. I wouldn’t call it tasty, though.

— Perpetual day sounds like a pain, but I wouldn’t mind experiencing perpetual night.

Oh no~

— It slowly sets in for Mari that she truly has to leave soon, so she becomes a dreamer all over again. She suggests that the four of them could stay even longer. But of course, that’s an unrealistic. The premise is already outrageous enough as it is. They’ve been their families, friends, and of course, school. And that lady’s comment about readjusting to society isn’t entirely a joke either. They’re about to enter one of the biggest transitions in their lives. I don’t know about Mari, but I imagine most of these girls will want to attend college. She should too, but for some reason, I just imagine her finding higher education to be a chore.

— Oh yeah, Yuzuki’s got that drama she’s starring in.

— Still, she makes her friends promise that they’ll return one day for the winter. Sure, why not? Once they’ve all grown and taken care of everything in their lives, they can join whatever iteration of the civilian expedition team if it’s still around.

— The whole team plays baseball at the girls’ request. Wait, I thought this guy already got over Gin. He’ll probably ignite her “fighting spirit” or something.

— Wow, that’s a really small baseball diamond. I wasn’t expecting regulation size, but that’s really tiny.

Poor guy. Taking a ball to the ribs really hurts. Also, Gin apparently pitches underhanded. Maybe she’s also the Submarine Ninja.

— Shirase stands bravely in the batter’s box simply ’cause she heard her mother could hit Gin’s wild pitches. You don’t swing at balls, though.

— That’s high and in. That looks like a ball. Also, both her feet aren’t planted.

— I thought Hinata would try to demonstrate her running prowess by going after the ball, but she just lets it sail over her head.

— Naturally, no one wants Mari to come anywhere close to Shirase’s hair. I like how this anime likes to build on jokes from previous episodes.

— According to the sad guy’s bio, he’s apparently a big fan of Yuzuki, but he doesn’t have the guts to tell her. C’mon… you’re a grown man.

— I’d be surprised that there hasn’t been any signs of couples hooking up, but this is anime, after all. Can’t talk about the sex.

— Gin and Kanae almost don’t notice Shirase’s new hairdo. Those bangs, though. The show’s character design has a real obsession with bangs.

— Honami doesn’t know anything about Shirase’s story, so she wants to know if the girl cut her hair because of a broken heart. Hinata fittingly replies, “But maybe, in a way…”

— There’s no longer any discernible nervousness in Shirase’s voice when she speaks in front of the crowd. She does, however, has her head down.

— Most people have parting gifts for the departing girls. Nobue, the geologist of the group, wants the girls to hand her boyfriend a tacky, knitted sweater. Oh lord. Girl, green on purple is terrible.

— That’s one angry-looking penguin. Shirase has her usual reaction. It’s like she lusts after penguins.

— Maaaaan, c’mon.

— Kanae also reveals that the girls had given her the courage to continue with the civilian expedition team. If a bunch of high schoolers can make it to Antarctica, surely the adults can.

— As an aside, I often confused Kanae and Honami.

— Oh yeah, the girls have to take the boat back. Time to throw up some more.

— Shirase is still nervous about those reports, though.

— The girls plan on going on another journey, and Hinata mentions the fact that she and Shirase still have their savings. The latter quickly states, however, that she no longer has any of her money. Really? All one million yen?! I guess they’ll have to come back for it one day… or maybe that’s the Ainu gold…

— Every time Mari does something amazing, her family breaks like five dozen eggs.

— I was wondering why Mari didn’t meet up with Megumi… what a fitting comeback.

Mahou Shoujo Ore Ep. 1 & 2: Gimmicky nonsense

$
0
0

Once the novelty wears off, what you have left is a pretty boring show. I really tried to give the show my fullest attention, but this probably would’ve been better served as a short. But let’s start from the beginning. Our heroine dreams of being a mahou shoujo at night, but during the day, she’s one half of an unpopular idol duo. The other half of the group is her well-endowed best friend Sakuyo. Speaking of Sakuyo, Saki pines for her best friend’s older brother Mohiro. He, too, is an idol, and a very popular one in fact. Ironically, he has the personality of a tree stump. See? This show is already incredibly subversive. The story is flimsy at best; the girl is only in love with Mohiro because he’s the quiet type who once saved her in a generic anime flashback incident. It’s questionable if the guy even cares about the girl at all. He certainly seems more impressed with guys than girls. Nevertheless, she became an idol hoping that Mohiro will notice her one day.

One day, Saki returns home to find a yakuza screaming outside her home. He’s looking for her mother, and at first, our heroine thinks her mother was involved in something shady. The woman soon reveals, however, that she used to be quite the heroine herself. After all, every neighborhood needs to be protected, and the one they that live in is no different. Unfortunately, the mahou shoujo business is for young, cute girls and Saki’s mother is getting a little long in the tooth. As a result, the yakuza turns his attention to Saki. Our heroine barely has any time to consider the full ramifications of becoming a mahou shoujo when she learns that her crush Mohiro is about to be dragged to the underworld by a bunch of weirdly cute but simultaneously ripped demons. Saki has no choice but to transform into a mahou shoujo, and… well, you can imagine the rest. Eventually, Sakuyo also joins Saki in becoming a mahou shoujo, because she has a crush on her best friend. There’s some additional nonsense like how Mohiro’s partner is likely the bad guy pulling the strings in the background, but at this point, who even cares?

Phew. That was boring. It was so boring that I struggled to even get through the first two episodes. The primary problem is that the jokes suck. There’s no real comedic timing, and the gags either fall flat or are just plain dumb. For instance, Saki never leaves home without something to munch on… like a huge plate of pancakes! Or this bowl of rice, soup and salmon! Haha, what a topsy-turvy twist on the classic anime toast! The second dish legitimately looks tasty, but that’s beside the point. Shoving bulges in my face over and over doesn’t make it funny. Adding blood to the violence doesn’t make it funny. Tentacle rape doesn’t magically become funny either just because a dude is now involved. The screaming yakuza mascot also wears thin by the second episode. This is a short post, because I have nothing else to add. Lest you think I’m offended by this show, I’m not. If anything, it plays it too safe. Mahou Shoujo Ore is simply pedestrian.

Violet Evergarden Ep. 12: Mission impossible

$
0
0

Your mission, should you choose to accept it… 

— I guess this is the continent we’re on… seems kinda neat and uniform for a landmass.

— So what’s going on? Well, the military brass seems to think that the anti-peace forces have been suppressed in Ctrigall. We know from last week’s episode, however, that this is certainly not the case. Nevertheless, a special envoy from the south will be traveling by train to Gardarik to engage the north in peace talks, so the war isn’t exactly over yet. A peace treaty still needs to be formally signed by every nation. The shorthanded army now wants Dietfried to lend a hand and protect this envoy or else the continent may very well plunge back into war again. Now, see, here’s where I’m kinda lost… if all of the countries want peace, and it’s just the anti-peace assholes trying to stir shit up, why would disrupting one peace talk have any impact? What sort of sovereignty would see one failed attempt to sign a peace treaty and decide to go back to war? If there was a scene where the anti-peace factions were planning to frame one of the countries, I could see how this might work, but that’s not what we get.

— We then see Violet being ferried across the sky by her new postman buddy from last week’s episode. She’s on her way back home, but in truth, she’s really on a collision course with Dietfried…

— …and her coworkers Cattleya and Benedict. Cattleya is serving as the civilian doll who will accompany the special envoy. Needless to say, Violet won’t be returning home anytime soon.

— So Cattleya and Benedict bump into Dietfried, and the latter starts grumbling about Violet. Naturally, her friends defend her, but I just can’t buy into Dietfried’s hate. We only ever got to see one brief flashback of Violet murdering a bunch of Dietfried’s men. Not only that, she was… what? 10 years old back then? I just don’t understand how a grown man can be so myopic towards a child. She may have blood on her hands, but children don’t often know better. If she was raised to be a child soldier (or perhaps even created to be one — hey, we can’t rule this out since we still don’t know her origins), then Violet’s just another casualty of war. But oh well, what else can I say? Maybe Dietfried is that myopic.

— Now, you could argue that he blames Violet for his brother’s death. That would make more sense. He gave Violet to Gilbert hoping that the battle doll could keep his brother out of danger. Even then, however, his plan was dumb. If he wanted to protect his brother, should’ve just falsified his medical records and made it look like Gilbert had bones spurs or something.

— Cattleya defends Violet by praising the girl’s amazing letters, which only serves to remind me that this bit of character development happened offscreen. Yeah, I’ve harped on it before, but I’m still frustrated that this KyoAni once again squandered a show’s massive potential.

— This scene where the clouds cast shadows over the landscape is pretty dope, though. No matter what, these guys can animate.

— Anyways, the anti-peace faction has actually managed to infiltrate the same train that is carrying special envoy (and Cattleya). This is another thing I don’t get. Okay, let’s grant that the continent may very well plunge back into war should these peace talks fail… I’m not convinced, but for the sake of the argument, let’s just grant that. If this is true, then why aren’t security measures tighter? Why aren’t you screening every single person who steps foot onto this train? How is it possible for the enemy to simply steal some uniforms and sneak onto the train?

— On her way back home, Violet can tell that something fishy is going on. This part is fine. What bugs me is that once again the story relies heavily on luck. Violet never would’ve gotten off the postman’s plane and gotten onto the train if it didn’t happen to fly by Cattleya’s window at the exact right time. It’s silly.

— At first, Cattleya wants Violet to return home immediately. Dietfried isn’t happy to see our heroine either. Violet convinces everyone to let her stay, however, by telling them what she’s seen up north. She clues Dietfried in on the fact that the anti-peace forces haven’t been quelled at all. In fact, this train is in grave danger. So is the guy thankful for this all-important morsel of information? Of course not. Much to her chagrin, he just starts ranting on and on about how she’s a bloodthirsty doll who can’t operate without orders. For a captain on such an important mission, is now really the time to get into pointless squabbles?

— Okay, the bad guys are setting their plan in motion. Since most of the soldiers are “stationed from the fourth car and beyond,” they simply have to separate the first three cars from the rest! And voila, the special envoy is now a sitting duck. Amazing. Honestly, this is truly amazing. We must protect this guy at all cost or war will be reignited across all the lands! Buuuuuuuut we won’t actually have any soldiers in and around his car. Nope. Why would you do that?

— Of course, what the anti-peace faction didn’t factor into their calculations was Violet. She alone will disrupt their evil mission!

— Once again, when she meets up with Dietfried, the asshole picks a fight with her. I do agree with him about one thing, though: she should’ve taken the gun that he offered her. I know she’s huge on the whole not killing thing now, and as a result, she wouldn’t even hurt a fly. But c’mon, how realistic is it for her to subdue a bunch of soldiers with just her fists? Wait, this is Violet Evergarden, we’re talking about. This 14-year-old girl can do it all…

— …like snap a soldier’s knife in half with only her left hand.

— Violet’s about to choke this guy to death, but then she remembers that she doesn’t want to be a killer anymore. So instead, she just knocks him to the side. Again, even if you’re going to go down the pacifist route, you still have to make sure the guy can’t get back up. This will be important later.

— Now we have Dietfried sidling along the outside of a moving train car. Sigh.

— Violet eventually runs into a contingent of enemy soldiers on top of the train cars. They all have rifles with bayonets. She has… well, her fists.

— I understand thematically what the episode is trying to accomplish. Violet is fighting for peace; she’s trying to protect the special envoy. Not only that, she’s doing her best not to kill any of the enemy soldiers. But her past can’t escape her. One look at Violet in combat, and the enemy commander can’t help but recall the girl’s infamous nickname on the battlefield: The Battle Doll of Leidenschaftlich. You have the duality of past and present tearing the girl apart. On the one hand, she’s used to be a butcher on the battlefield. On the other hand, the pendulum has now swung so far to the other side that her desire for peace may very well cost the girl her life.

— At the same time, however, the very prospect of a 14-year-old girl going up against a bunch of trained soldiers on top of a moving train car pretty much throws my suspension of disbelief out the window. It’s bad enough that I can’t really focus on the all-important themes of the episode.

— The enemy commander prattles on and on about why his faction wants war again so badly, but he lost me completely as soon as he said this line.

— Anyways, I don’t understand why the soldiers are charging Violet with their bayonets. Can’t they shoot her with their rifles? They can. One guy does just that. But it’s just one guy. Everyone else just tried to melee her down for some bizarre reason.

— And yet, Violet still refuses to kill anyone. When her punches and kicks threaten to knock one of the soldiers off the moving train, she actually pulls him back to safety. This leaves the girl open to attacks. Otherwise, our 14-year-old battle doll probably wouldn’t have lost.

— Eventually, the girl is overpowered, and she even loses her precious brooch. She can’t fight at full strength if she refuses to kill. And if she refuses to kill, she may end up losing everything. Someone should tell her it’s almost universally permitted to kill in self-defense.

— Naturally, just as Violet’s about to lose her life, Dietfried saves her by shooting the enemy commander’s sword out of his hands. Of course, if he had the time to take aim at the weapon, I don’t know why he didn’t just shoot the guy in the head.

— Dietfried proceeds to get into yet another argument with Violet… while they’re standing on top of a moving train. Like c’mon, dude! He confesses that he blames Violet for failing to protect Gilbert. Great, I feel yah, but now’s kind of a bad time.

— Remember the guy who Violet almost choked to death? Because she simply knocked him out, he has since regained consciousness. Not only that, he’s climbed onto the top of the train, because this is where the party is at. He proceeds to take aim at both Violet and Dietfried with a gun that appears to fire explosive rounds. Dietfried shoots the guy, but the latter still manages to pull the trigger as he goes down. This is when Violet jumps in front of Dietfried and protects them both from the blast thanks to her fancy metal arms:

–Now that she’s saved Dietfried’s life, perhaps he’ll change his tune about her… but we’ll have to wait till next week’s episode to find out if this is the case.

— Anyways, I was excited to get an episode that didn’t involve writing letters or flashbacks. Unfortunately, what I got was Mission Impossible. All we’re missing is some explosive gum.

Death March to the Parallel World Rhapsody Ep. 12 (Final): Now let’s never revisit this isekai again

$
0
0

Get ready to say goodbye to Bargain Bin Kirito and his army of lolis. I knew I said I wouldn’t cry, but… sniff… 

— BBK and his girls take over a local kiln, but these look nothing like the potion vials that they need. I also like how this scene starts off with the lolis moaning variations of “No!” and “Don’t do that!” These lines are accompanied by close-ups of their mouths and blushing cheeks. Ho ho ho, what could these girls possibly be doing! Whhhhhat? No, we’re totally not sexualizing these underaged characters at all.

— I know science!

— Aren’t they supposed to be glass vials? These are just plain clay.

— By the way, you don’t dry the clay to prevent it from bursting. You dry the clay so that it doesn’t warp or crack. Also, this reminds me of an art elective I once took in middle school. I was sculpting a polar bear, but I failed to get all of the air bubbles out. As a result, it exploded in the kiln. Yeah, I’ve always been a disaster when it comes to art.

— Naturally, BBK gets around this problem with magic. I’m amazed that he’s the first person to even try this. In fact, this could revolutionize the entire pottery industry for this magical universe. Vials are in short demand, but this changes everything!

— After a long and predictable montage, the team is on the verge of success. Unfortunately, evildoers are lurking in the treeline. Dammit, Charlie…

— The guy says all they gotta do is let the vials cool down… maybe magic might help.

— A group of assholes drop by to smash up the kiln. Apparently, you need a permit to even make potion vials. Like what? Of course, BBK knew this guy would drop by, so he had placed junk in the kiln beforehand. Great. But the nice potterer still lost his kiln.

— Where did he place the potion vials? Oh, just in his inventory. Even though Arisa is also not originally from this world, she does not get to play the game, so to speak. No, she’s literally just a loli slave.

— Unfortunately, the vials crack and shatter as soon as BBK takes them out of his inventory. After all, he grabbed them when they were all at 1250 degrees. So we get to watch him game the system with magic and item boxes. It’s all terribly unexciting. I’m just amazed that someone actually thought that they could write an entire series of novels on a guy hanging out with lolis and fiddling with a game’s UI.

— BBK and his lolis go to deliver the potions. Naturally, the bad guys demand to know how he managed to get everything done in just a few hours. BBK’s reply is a groaner.

— The assistant viceroy flat-out refuses to sign the delivery note, so this guy has to show up to do the job instead. BBK simply told the witch to reach out to the count, who is now all aware of the evil deeds happening right under his nose. But then why didn’t we just do this right from the start? Blah blah blah, they had a contract, but so what? Contracts can be amended under extreme circumstances.

— The bad guy won’t go down without a fight, but the count simply brushes off the attack. After all, he can’t be harmed in his own territory. Wait, what?

— He then adds, “I have pity for my old friend, therefore I will not charge you with treason, but will let you off with death.” So… it’s treason, then?

— But as soon as the count draws his sword, BBK rushes in and knocks the two baddies out. Remember, this is the last thing that a loli sees right before BBK goes in for the kill. It’s terribly frightening, no?

— Nevertheless, BBK interfered simply because he didn’t want his lolis to see people get killed in front of them. Hilarious. They’ve had to suffer through discrimination, endure enslavement, trekking through dangerous dungeons full of murderous monsters, listen to BBK’s annoying voice, and all sorts of other nonsense. But watching two bad guys get killed is a step too far.

— As a reward, the guy gets a lantern. What? No witch-type loli?

— He also gets a crappy title.

— But wait, we still have 8 minutes left in this terrible finale of an episode. What are we going to do with the remainder of our time?

Oh, right… B-but it’s nothing perverted! He simply has to recalibrate her whatchamacallit. And in order to do so, she has to strip down to just her panties! That’s how it works! The elf-type loli quickly adds, however, that BBK could simply accomplish the same result by touching the doll’s back instead.

— Jesus, shoulder blades do not look like this, kids. Naturally, the doll has to moan when BBK touches her. Of course she does. This is how we’re going to cap off this terrible series.

“We will travel anywhere at our client’s request… even this terrible isekai if need be.”

— What the fuck, now I’m watching the lolis lick fluids off of his fingers.

— Later that night, BBK reads to his lolis, but by this point, I’ve already checked out. I didn’t bother to pay any attention to the story. Let’s just wrap this up.


Look, what do you want me to say? This anime is just terrible. There’s no plot, the voice acting is bad, the animation is somehow even worse, and we have apologists coming out of the woodwork to claim that BBK isn’t a lolicon despite surrounding himself with nothing but lolis.

But even viewed as simply another dumb isekai, this show fails. It has no entertainment value whatsoever. The harem bits aren’t even worth mocking. The hero is overpowered, but he spends the vast majority of his time playing around with his UI instead of actually enjoying his time in a new world. The world-building is nonexistent. How this ever gets written, I don’t know. How this ever gets adapted, I don’t know either.

Final grade: F

Koi wa Ameagari no You ni Ep. 12 (Final): Old and new promises

$
0
0

Lately, it seems as though Akira has to drag herself out of bed. After all, she has to start thinking about her future. Her latest school assignment is to fill out a career survey, and honestly, this is a rather common exercise in every high school all across the world. Nevertheless, I suspect she has avoided thinking about her future ever since she suffered her Achilles injury. Faced with such a daunting prospect, the girl tears out one of her notebook’s pages and makes a paper airplane. She then stands at the edge of a hill that overlooks her school and watches as her peers get to play in a world in which she no longer belongs. Akira pauses then nearly lets the paper airplane fly. She wants fate to carry her and her dreams. After all, she’s always chased the wind, so she now wants the wind to carry her wherever it may. At the last second, however, she holds onto the paper airplane. Deep down inside her, she knows she has to take responsibility of her own future. She knows she’s the only one keeping herself from running again. The paper airplane wouldn’t get very far in the rain anyway.

Change is coming, and it’s coming in every which way possible. Soon, Akira’ll have to enter adulthood, and even if she thinks that the diner can be her refuge, that may not necessarily be the case. Kondo has been spending a lot of time at the head office, so his employees can’t help but gossip in the backroom. Kubo suggests that the 45-year-old manager may finally get a promotion, but the cooks aren’t quite so optimistic. Nevertheless, Akira now starts to worry, because Kondo won’t be managing the diner anymore if he moves up the corporate ladder. The team would have a new boss. Of course, it’d be wrong for her to want her manager to fail, but the heart can often be selfish. Not only that, this is yet another potential change that she has to deal with. Later that night, it’s raining rather heavily, and it’s not hard to imagine why. The weather is seemingly tied to Akira’s temperament.

When Kondo actually does get to spend time at the diner, he continues to torture himself over next month’s work schedule. Like with the Akira’s schoolgirl crush on him, he knows what her heart desires, but he also knows what’s best for her. As somebody who is nearly 30 years her senior, what will he do? He can be her friend, but he’s also a father. He can’t forget that the girl is young enough to be his daughter. Later that night, Kondo doesn’t return to the diner after he’s done with his affairs at the head office. Instead, he comes directly home to throw himself back into his writing. Ever since Chihiro dropped by his apartment, it feels as though the 45-year-old man has redoubled his efforts to finish a novel. He goes through packs and packs of cigarettes as he slaves over his desk until the sun comes up. What particularly pains Kondo, however, is that he can’t help but realize that his work remains flawed. He literally finds holes in his writing. What’s notable, however, is that he won’t give up.

Likewise, Haruka can’t give up either. On one particularly cold morning, she’s reminded of Akira. It’s like all she can do lately is think about her friend. She feels as though she shouldn’t have said anything to her former best friend. She feels as though she only made things worse. She admits, however, that what’s done is done. She can’t take back her words. Plus, I disagree with her. If Haruka wants to claim that she still cares about Akira, then she definitely needed to say something. And after nearly an entire season of inaction, I’m glad that she did. Even if Akira never changes her mind about running, Haruka needed to at least try. Later in the episode, the girl spots a pair of middle schoolers checking out the campus, and she can’t help but be reminded of Akira again. She remembers how they both decided to attend this school together. How could she forget? As a result, she can’t give up. She has to keep pressing the matter with her former best friend even if it’s unpleasant — even if there are many hurdles to overcome.

Akira soon gets this same lesson from an unlikely source: Kondo’s son. Not only is the kid back, he apparently heard from somewhere that Akira is good at running. Kondo must’ve told him. After all, who else would he hear it from? We know what’s coming; Yuto soon asks the girl to teach him how to run fast, and there’s no way she can turn him down. Probably like his father, he’s quite clumsy and finds himself tripping over his feet over and over. Akira asks the boy if he would like to take a break, but he refuses. As a result, Yuto puts his unyielding spirit on display. He won’t let a few setbacks to rain on his parade: “I’m going to run till the end even if I fall and come in last. I’m not supposed to give up.” What clinches it for Akira, however, is when Kondo’s son adds, “That’s what my dad said. He said he’s going to work hard too. He said he’s not going to give up.”

Everything starts to come together for Akira. She understands her manager a little better — why he keeps his study in such an unkempt state, why he’s been busy at the head office so much lately, why he’s taking care of a little hamster, so on and so forth. At the end of the day, Kondo is not only a writer, but a manager and a father as well. He’s not great at any of those three aspects of his life, but he hasn’t thrown in the towel on any of them either. It’s not the end of the world if you’re not the best at what you do. Deep down, Akira knows that she can still run. She’s just afraid that she can’t do it as well as she used to. She’s just afraid to let everyone (including herself) down. But as Akira continues to watch Kondo’s son run around the empty parking lot, she is reminded of Haruka. She is naturally talented, so she taught herself how to run well. On the other hand, her former best friend always had to play catch up. As young kids, Haruka always found herself chasing after Akira. Even now, however, Haruka continues to run and lead her team. It’s not the best track team in the region, but they haven’t given up either.

Later that night, Kondo bumps into Akira, and they make small talk about Yuto. He jokingly suggests that the kid will eventually give up on running, but Akira insists otherwise. After all, Yuto had made a promise to his father. Upon hearing this, Kondo opens up a little about his writing. He, too, made a promise to write a novel, and even though it’s been a bumpy ride ever since, he can’t help but admit that he’s been enjoying it. Writing is fun for him even if he never ends up finishing his novel. So again, Akira is being taught that results aren’t all that matter. Rather, it’s the journey that she should cherish. Kondo then tells the girl that he gave her the shift that she requested, but he also adds that she must have a promise of her own to keep. When Akira returns home, she digs out a few old notebooks that reminds her of just that promise. Next, she picks up a book on rehabilitation. It won’t be easy, but at the same time, it’s okay to fail.

Case in point, Kondo stands in front of his team the next day, and announces that he failed his test. Was it a test to advance up the corporate ladder? No. It was just a test to learn the new menu. And thanks to his failure, his branch is the only one that won’t get to launch the new menu (that’s silly). But look at the guy. Look at that face. Does he look bummed out? Does he look like he’s given up? Certainly not. In fact, he’s back at it again. Of course, it’s not like Kondo has a choice. Either he learns the menu by heart or he loses his job. But the man’s positivity is worth admiring. When he clumsily leaves behind an important binder again, Akira has to quickly return it to him before the bus leaves. He’s far off too, so she’ll have to run fast if she wants to catch up to him. Unfortunately, she doesn’t succeed even though she does try to jog up to him. But again, the results aren’t all that matter. During this short time, she remembers how Haruka continued to cheer even after she fell on the field. She remembers how Haruka still clapped for her even after she barely crossed the finish line. Most of all, she remembers their promise.

After returning the binder, Akira bows and leaves when Kondo has to answer his phone. But when he calls out to her afterwards, Akira suddenly takes off sprinting back to him. She and Kondo embrace each other, and they promise to let each other know once they’ve each fulfilled their respective promises. Akira hasn’t stopped loving her manager, but this leaves the status of their relationship up in the air (as most of us surely suspected). It is at this point that we need to reconsider her love for Kondo from a new perspective. It may very well be the case that she never ends up for him. Certainly, I hope that she doesn’t. Even when she’s in her mid-20s, he’ll be in his mid-50s, and that still makes me cringe. But that isn’t to say that this experience hasn’t been fruitful. After all, the results aren’t all that matters. This relationship that they share — whatever you want to call it — has been something that Akira can rely upon over the past year or so. Their romance never amounted to anything. Rather, what’s been most valuable to Akira has been the times Kondo stepped up to be a father figure. Haruka soon receives a message that she’s been waiting so long to receive. We also see Kondo’s hands tidy up a stack of papers, which suggests that he finally managed to finish a novel.

Alright, time for some final thoughts… man, this has been quite a season. I don’t love Koi wa Ameagari no You ni as much as A Place Further Than The Universe, and I won’t pretend to. In fact, I hated this love story. I won’t lie about that either. I came into this show as open-minded as I could, but I was never going to approve of any possibility where Akira ends up in a romantic relationship with Kondo. That was a complete non-starter right from the get-go. Nevertheless, I respect the show’s craftsmanship. This is a beautiful anime. Not only that, it’s a beautifully told anime. What I particularly admire about the show is its willingness to relinquish its reliance on dialogue. Anime in general is plagued by terrible writing, and as a result, we often have stories that feel the need to spell everything out. Seconds rarely go by without a character insulting our intelligence with some inane voiceover commentary about their thoughts and feelings. Koi wa Ameagari no You ni avoids this pitfall entirely by allowing its visuals to tell the story. Even when the characters do speak, they are metaphorical with their words. Take, for instance, a scene near the end of this very episode. Kondo asks the girl if she feels okay. After all, she just ran towards him. She fittingly responds by telling him that the rain will soon stop. That one little sentence tells Kondo everything he needs to know about her feelings.

Of course, I disagreed with some of Kondo’s actions throughout the course of the series, but that’s not exactly the show’s fault. Rather, he’s just a flawed human being like you or me. In the end, the most he ever did was hug her, which I suppose I can live with as long as the buck stops there. Maybe the manga has a different ending, but that doesn’t matter. Something else that bothered me was how Ryosuke’s subplot kinda just disappeared on us. On the one hand, I’m glad we didn’t have to deal with his predatory nature any further, but on the other hand, I don’t think the story would’ve suffered one bit if they had left his subplot out entirely. Finally — and again — the show is beautiful, so this is a very, very minor complaint, but man, Akira’s long neck still bugs me. Of course, I know it’s weird for me to harp on this considering how anime is all about exaggerated proportions.

Final grade: A-

Misc. notes & observations:

— I know it’s like… a romanticized thing for writers to indulge in substance abuse. Luckily, Kondo doesn’t seem to do hard drugs, but cigarettes are still extremely harmful to his health. Staying up all night can’t help his focus either. And at the end of the day, he still has a son to care for. When the kid grows up and looks back on his childhood memories, you don’t want him to think, “Dad’s home had nothing. He barely even had any food in the fridge. The entire place just stunk of cigarettes.”

— They all have pockets of their own, don’t they?

— Akira’s not alone. Most people tend to avoid answering speculative questions about their future in such a definitive way.

— Yui, on the other hand, knows what she wants to do in the near future. The blonde (I imagine she gets it bleached), spritely girl will attend beauty school. And even though her career hasn’t started, she already has a regular customer.

This moment is cute. Lately, it seems as though Yoshizawa has all but forgotten his crush on Akira.

— Lost in their own little world, Yui does her best to confess her feelings to Yoshizawa. Warmth and hope bubbles up in the scene. In typical anime fashion, innocent love is rarely ever direct. Akira had no problems telling Kondo that she liked him, but of course, there was the age gap to mind. But for Yui and Yoshizawa, everything should go well, right? As a result, both characters coyly dance around the issue as if they’re young for love. He cheers the girl on and asks her to promise to cut his hair. That’s the best you’re going to get. The girl is so overwhelmed with emotions that she’s in tears. It would’ve been nice to see Yoshizawa follow up by embracing the girl, but unfortunately, their love is meant to be innocent. As a result, we cut away to Akira in the diner.

— I’m not saying it’s true, but the ability to drink black coffee is often associated with adulthood and maturity. So to contrast what we just saw between Yui and Yoshizawa, we see Akira attempt to drink black coffee, but she still hasn’t quite developed the taste for it. She’s still a kid. Even with milk, she struggles to get it down. It’s okay, though. I’m deep into adulthood and I still think black coffee is ass.

This scene looks amazing.

Record of Grancrest War Ep. 12: Love rules

$
0
0

The kiss above is one of only two reasons why I’m still watching this shoddy adaptation. Theo and Siluca aren’t an amazing couple by any means, but I like his willingness to plant a big one on her lips in front of everybody. Not only did he kiss her because he wanted to, he kissed her to piss off Marrine. But more on that later. Let’s get on with the rest of the post first.

— As for my second reason to keep watching Record of Grancrest War? Oh, I just want someone to take Milza down. I don’t want the sadistic bastard dead. I’m not bloodthirsty myself. I just want him to lose. I want him to suffer the humiliation of defeat, then having to live with that for the rest of his life. We’ll see how this story ends, though. I bet he simply dies in battle.

— Elsewhere, a bunch of lords gather to sign the Altirk Treaty. They intend to rise up and liberate the now occupied Altirk from Alliance’s control. Someone has to lead them, though. Villar’s brother is quickly nominated, but the guy has both the guts and the humility to admit that he’s not the right man for the job. I wish Alexis was brave enough to step down from his position. What an ineffectual loser. Speaking of which, I never even knew that Villar had a brother.

— Lassic is the next man to be nominated, which seems reasonable enough to me. He has actually proven himself in battle. The problem, of course, is that Lassic isn’t the main character. He’s barely had any character development, and his personality boils down to “I <3 Theo Cornero!” Case in point, he quickly informs the rest of the lords that he’s merely holding Theo’s court rank. As such, Theo should be the leader of this ragtag alliance!

— The rest of the lords, however, chafe at such an idea. No one believes in Theo yet. To prevent the newly-formed alliance from tripping over its own feet, Theo willingly throws his support to Lassic. He also adds that he’ll prove himself to the other lords. Notice me, senpai!

— Back in Altirk, Milza receives his new marching orders in his empty throne room. I can’t keep track of all of these countries’ names and lords, because I just don’t care. As a result, you’ll often find me referring to these people and places as Generic Lord A and Generic Country B. Anyways, Milza has to subjugate Generic Country B, but this will pit him against Lassic. A mage cautions him to take his foe seriously, but Milza’s just another idiotic meathead. He’s good on the battlefield, but as a ruler, he’s worse than your average Civilization player. He simply tells the mage to give him bold suggestions or… well, die. In the real world, ruling with fear will eventually bleed your country of smart and intelligent people. God only knows how it works in this world.

— So we see Milza ride into battle. After seeing his men easily routed by Milza’s army, Villar’s brother quickly retreats and allows Lassic to take over. I hate that these lords can casually say shit like, “…you didn’t lose many men.” They’re just so blase about their casualties.

— Lassic and Milza engage each other in direct combat, but because this is just the start of the second cour, nothing fruitful happens here. Both men escape with minor wounds and a lot of post-battle hype. That Lassic sure was something else. That Milza sure was something else! Yep, get hyped for a future encounter! Meanwhile, the faceless soldiers get butchered.

— Finally, the story shifts back to Theo and Siluca. In fact, Marrine and her men are sitting right outside our hero’s castle. For some reason, the Alliance leader doesn’t really want to go to war with Theo whatsoever even though she’d probably win handily. She even wonders if maybe she shouldn’t have rejected Theo’s proposal way back when (fourth episode?). Aubeste simply says that this is for her to determined. Uh, you’re her advisor. It’s okay for you to offer your opinion. But whatever. Marrine has her mage set up a brief meeting for her to talk with Theo one-on-one. I doubt any battles will go down since, again, this is just the first episode of the second cour.

— Siluca reveals that her father (not her real father, mind you) once tried to kill her. But it’s okay, because he was just trying to follow the rules! Um…

— And when they finally meet, she’s all blushy crushy. Meanwhile, Aubeste couldn’t possibly have deader eyes. Am I to believe that he actually loves Siluca as a daughter? C’mon.

— Anyways, Marrine and Theo finally get to meet for the first time. What’s the first item on our hero’s agenda? Why, let’s bring up Alexis! Let’s bring up the fact that these two should still be wed! He’s also very impressed by Marrine’s gentle nature. Puh-leeze. She gassed an entire fucking castle just to win a battle. She fucked some random guy just to have his loyalty. She intends to engulf the entire land in war just to draw out the conspirators who killed her father. Really, that’s what this is all about. Think about it. Marrying Alexis might have spurred on the conspirators, but it would’ve also been a great symbol of peace and love. That no matter what these terrorists do (and yes, they are terrorists), love cannot be broken! But Marrine chickened out. Nevertheless, Theo states outright that his goal is to see her and Alexis eventually marry each other. Ridiculous. She should be tried for war crimes, not live happily ever after.

— Anyways, Theo puts all his chips on Siluca, because that’s what he’s done all story long. For some reason, he believes in her wholeheartedly. He trusted her right from the get-go, so it comes to no surprise that he thinks she’ll be able to pull off a miracle even now. It’s just love. Siluca has made several miscalculations in the past, so it’s not like she’s infallible. He believes in her because he loves her. It’s as simple as that. Amusingly enough, even the girl is surprised by how much faith he has in her.

— As a result, Theo kisses Siluca, and this actually has the effect of bolstering his army’s morale. They’re going to fight for love! Marrine can only look with bitterness in her eyes. When she returns to her tent, she throws a tantrum. After all, that could’ve been her. She was so afraid that her country would fall to the conspirators, but she never once considered that her love for Alexis would inspire her people.

“Like, OMG, I can’t believe you did that!”

— But as I’ve said over and over in this post, this is the start of the second cour, so we can’t have any significant battles between Theo and Marrine. As a result, Siluca suddenly informs her lord that Marrine has withdrawn. Generic Lord O managed to defeat Generic Lord P, so he’s pushing his forces forward. Marrine has no choice but to play it safe for now.

— This then gives Theo an opportunity to act, so Siluca suggests that he immediately returns to his homeland and liberate Generic Country S from Rossini. This great deed will allow him to achieve a higher court rank. A higher court rank means he can eventually become the leader of all those crappy lords.

— Theo runs the plan by Lassic real quick, and Moreno is quick to be a downer. He doesn’t think it’s a good idea; by his estimation, Theo would need more than three times the men he has now in order to defeat Rossini. Lassic, however, is a simpleton, so he’s always going to praise Theo. Even Theo’s farts smell like roses to Lassic. Not only that, he’s just chomping at the bit to hand the reins over to Theo.

— If you don’t remember who Rossini is, it’s this rat-faced asshole. I remember pointing out how obviously evil he looked. He was also the guy who attempted to put a hit on Theo only to have Alexis get caught up in whole mess. I’m not sure if this amounted to anything, though. After all, you don’t expect the spineless Alexis to actually do anything useful.

— To cap off this episode, we see a bunch of poor people being treated horribly by (presumably) Rossini’s men. We rarely get to see Theo’s subjects, but since nothing bad is ever mentioned, we can only assume that our hero treats them well.

— This lady stands by herself, so I guess she must have an important role to play in future episodes.

— But all in all, this has been yet another boring episode. Theo and Siluca’s kiss is really the only part I enjoyed about it.


Killing Bites Ep. 12 (Final): Why can’t this show just go away quietly?

$
0
0

Yeah, Yuya dies. I certainly never expected this to happen. Most of all, I certainly didn’t expect Hitomi to be the one to kill him, but she’ll do whatever Shidoh tells her. Speaking of Shidoh, he feels that Yuya’s continued existence would somehow become a problem in the future, so he has the guy assassinated. I’m not too worked up about the so-called protagonist, though. He was relatively useless from start to finish. Hell, he couldn’t even stop his so-called friends from attempting to gang rape some random school girl. Had they not unluckily picked up Hitomi of all people, Yuya would’ve just sat on the sidelines and done nothing. He’s that spineless. As a result, I’m amazed that Hitomi even cares about him at all. She tries to put on a brave face, but she clearly didn’t want to have to kill the guy. The story wants to hint at the idea that Hitomi might have had feelings for the guy, but that’s even more ridiculous. Not only that, it doesn’t really make sense why she had to do it. Shidoh could’ve sent anyone to finish the job. Still, this sudden heel turn isn’t what actually bothers me about this episode. Rather, it’s a different incident altogether.

Those chameleon bastards that showed up at the end of last week’s episode? Well, Hitomi gets up from the ground and quickly eliminates two of them. The other two are taken out by none other than Shinozaki, the super hyped-up announcer. She’ll protect the integrity of the Destroyal at all costs. She’s just that passionate about this tournament. Back on the boat, Shidoh quickly moves against his opponents. Yoko’s grandfather is apparently guilty of the Japanese recession. Nope, I’m not fucking with you. And since he intends to use this whole human-animal hybrid thing purely for profit, Shidoh wants the old man gone. Leo quickly kills the guy who had sent into the chameleons. Yoko’s grandfather then tries to talk big, but Leo unceremoniously kills the old man too. According to Shidoh, this will usher in a new evolution. The world will be completely changed as we all become furries! Sure, I guess. But here comes the part where all of the fun gets sucked out of Killing Bites.

Yoko returns to find her dead grandfather’s body, and naturally, she’s pissed off. She tries to call for everyone’s heads, but Leo is no longer on her side. He won’t kill her, though. He’ll just rape her instead. Wait, what? Yes, the guy is going to fuck her right here and right now. The stupid nature commentator suddenly chimes in to inform the audience that this is just what happens in the animal kingdom. First, we’re not in the goddamn animal kingdom. These are just people endowed with animal-like abilities, so they’re still subject to human morality. Nevertheless, let’s continue. The narrator then informs us that when the usurper kills the leader of the pride, the females of the pride will simply accept the new male. Yep, Yoko is totally accepting Leo with all those tears streaming down her face. If you want to add rape to your story, then just do it. Don’t fucking wuss out and offer up these weak-ass justifications. “B-b-but that’s how lions work!” Fuck you, Killing Bites.

Anyways, there’s now some special island just for human-animal hybrids. Bunny Girl is now famous due to her winning the last Destroyal. Not only that, the anime teases us with all these new faces. They’re all here for the next tournament, which leaves things open for a potential sequel. But why would I want a sequel? I only tuned into Killing Bites in the first place for some mindless fighting action. I just wanted a tournament full of dumb animal gimmicks and awesome nature facts to follow. Unfortunately, the actual tournament ended a week ago, so for the finale, we got an episode full of, well, dark machinations that honestly sucked any last shred of fun from the show. I can shrug off Yuya’s death, but I don’t want to watch Yoko get raped. Seriously, what the fuck, man? And now, the show wants to dangle a potential season two in front of us like I’m going to tune in. And for what? To watch Shidoh manipulate Hitomi to his own ends even more? To watch the now enslaved Yoko attend to Leo’s every need? To meet more iterations of stupid assholes like the rapey Snake guy? Yeah, I’ll pass. I was going the show a higher grade, but after this episode?

Final grade: D

Garo – Vanishing Line Ep. 24 (Final): So unsatisfying…

$
0
0

If you’re expecting an explosive duel to wrap this anime, think again. Sword’s epic clash with Knight barely lasts six or seven whole minutes. As for the rest of the episode? Nothing but one long and drawn-out denouement.

— Knight confesses to Sword that his contract with the dark ring is over, so he’s here on his own volition. In fact, he claims that his soul exists solely for this moment. What a sad existence. Knight sucks as a character. That’s just the blunt truth. He has no other motivations other than wanting to be strong and fight strong people.

— And you start to realize that this show is full of bad characters. The only person who even has any sort of character arc is, well, Sophie. Imagine that. 24 goddamn episodes, and the anime only manages to develop one character to any reasonable extent. Luke could’ve had a character arc, but it kinda just trailed off into nothingness.

— Sword is the hero of the story, and he doesn’t change at all throughout the course of the story. What you saw in the first episode is literally what you get in the final episode. Gina is no different either. And when you finally consider the paper-thin characters like King, Queen, Bishop, so on and so forth, you start to realize how utterly barren this iteration of Garo turned out to be.

— Anyways, when Sophie wakes up, she finds herself back in the real world next to Gina and Luke. She immediately bugs them about Sword, but they won’t answer her. That’s rude.

— Back in… I dunno, is it still ELDO NET? Whatever. As I was saying, back in ELDO NET, Sword and Knight duke it out with everything, including their bikes. Like last week, you can tell where most of the show’s budget went. Luckily, they’re fighting in the middle of nowhere, so MAPPA didn’t have to draw any backgrounds. Just scatter a few random rocks across the screen and call it a day.

— Of course, Sword attributes his strength to his willingness to protect others. He also argues that he could’ve destroyed the source of all Horrors (doubtful) with Knight’s help. Knight counters, however, that… uh, Sword could’ve used his strength to be the strongest of… all time. Really? Really? It’s like arguing with a child. Why even bother?

— The two combatants charge at each other one last time, and in the end, Sword delivers the finishing blow. All of a sudden, we see this shadowy thing emerge from Knight. It’s as if his evil had finally been excised. Great. So I guess he wasn’t purely evil after all.

— I take everything back about the good animation.

— Even though he’s victorious, Sword simply stands there as the world crumbles around him. He even gives that resigned sort of smile. The anime seemingly wants us to believe that he won’t make it out of this alive.

— We’re back to Sophie, and she continues to pester Gina and Luke about Sword. Unfortunately, they won’t say anything even though the girl is literally in tears. Like I said, the anime really wants you to think that Sword won’t survive. What a cheap trick.

— Luke then pulls out one of his memory-erasing bullets, and Sophie realizes that she’s about to lose all her memories of Sword. The guy even says that Sword had requested this. She cries out to Gina, but it’s to no avail. I got two problems with this.

— First, Luke has only ever used his memory erasing powers immediately after a major incident. That makes sense. He’s erasing people’s short-term memories. Sophie has been with these guys for ages and ages, though. So now Luke can suddenly control how far back he can erase someone’s memories?

— Plus, I’ve never liked this whole memory-erasing deal. Memories are an important component to our identity. Memories help us determine our inner strength. Like I’ve said, Sophie is the only character in this entire damn series to undergo any major development. And now, Luke is just going to wipe that entire slate clean. She’s learned so much on this goddamn journey, and it’s all going to go away. What gives these Makai assholes the goddamn right to fuck with people’s identities like this?

— What’s done is done… we immediately skip ahead one whole year. In fact, it is now Christmas time, and the orphanage is full of life. Sophie has changed a lot physically. It seems as though she’s grown like a foot in just a year.

— But wait, how did Sophie even get back from El Dorado? Okay, they erased her memories. Fine. But it took forever just to get from Russell City to El Dorado. Logically, it should take forever to get back. How does the girl explain to herself how she ended up in the middle of goddamn nowhere? How does she even get back? What? Did Luke and Gina give her a ride back? The fact of the matter is that there is no explanation. She also saw Sister get murdered before her very eyes. Luke was able to dig that far back and erase those memories too? I mean, you can always hand-wave everything off with magic, but this is why this episode is so unsatisfying.

— It turns out that the memory-erasing thing isn’t perfect with Sophie. She often finds herself spacing out and feeling unfulfilled. One day, she cuts her finger on some broken pieces of clay. For some reason, the sight of her blood makes her go digging through her closet until she finds her old hoodie. In a pocket, she pulls out that stone she had gotten from the Land of Guidance. Memories of Sword starts to flood into her mind, so she storms out of the orphanage towards the direction of the diner.

— When Sophie finally reaches the diner, she finds Gina literally just sitting there. Gina is not the least bit surprised to see Sophie. It’s as if she knew exactly when the girl would show up or something.

— First things first, Gina reassures Sophie that Sword is fine. So there you go… the old lunk is perfectly okay, and the episode was just trying to fuck with us for no particular reason.

— Next, Gina says that Sophie’s… feelings within the stone must have stirred up her memories? What? So it isn’t really a memory-erasing spell that Luke casts. It’s more of a memory-sealing spell. Either way, my earlier point still stands. You shouldn’t really mess with people’s memories.

— Last but not least, Sophie now wants to become a Makai Alchemist, because she wants to mamoru the hell out of people. Why not a Makai Knight? Eh, girls can’t be knights for some odd reason.

— God, Chiaki looks even more ridiculous than ever. It’s like MAPPA sat in a conference room one day to discuss the show’s art direction, and someone was like, “It’s set in a country that resembles America! American women have bigger titties than Japanese women, so we need to give these characters big titties too!”

— We begin to see a montage that wraps up all the loose ends. Remember how Meifang interacted with Luke in like one whole episode? Well, it turns out she likes him now. She has deep feelings for him now. Why? Beats me!

— Speaking of Luke, the guy is busy brooding it up in Paris of all places. Not only that, he’s finally decided to become a Makai Knight as well. Must be nice to have a penis. As a result, you get to have a choice between becoming a Knight or an Alchemist.

— All of the line cooks in the Chinese restaurant reveal themselves to be hot ass bishies for some goddamn reason.

— Meanwhile, Bishop is still around. He’s actually just sitting in the ruins of El Dorado, but it’s been a year. I guess he just came back to celebrate some sort of anniversary. He seems to imply that he’s finally free, but then he disappears into the wind the same way Knight disappeared when he died, so who even knows anymore?

— Last but not least, as Sophie prepares to leave the diner, this meathead stumbles out of the kitchen. And that’s the end of the show.


Garo – Vanishing Line‘s biggest problem is that it never amounts to anything. It isn’t really about anything beyond the age-old clash between good vs evil. And that’s fine as a starter. But you have to build on that. Garo – Vanishing Line simply never bothered to. It had 24 episodes to tell its story, and it achieved nothing. Outside of Sophie (and maybe Luke), none of the characters have any depth to speak of. And because they don’t have any interesting personalities or motives the resulting conflict is equally simplistic and one-dimensional. This is just a dumb show with dumb action. It never tries to be anything more than that, so you can argue that it’s successful in achieving its aims. But scope matters, and the scope here is terribly limited. I need a little more than a bunch of roided out meatheads going at it while being surrounded by big-boobied women. If MAPPA’s going to be this unambitious, they should’ve just spared us the trouble and cut the show’s length in half.

Final grade: C-

Darling in the FranXX Ep. 12: Biracial madness

$
0
0

Hiro opens the episode by telling us that his origins do not matter to him, because he only wants to live each moment to the fullest. Clearly, this is folly. We’ve learned from last week’s episode that there are gaps in his childhood. Clearly, something happened. Something big happened. And not just with him, but with Zero-Two as well. We cannot completely deny our roots. They play an undeniably large role in establishing our personal identity. It is only fitting, therefore, that this week’s episode delves into the past by revisiting the children’s orphanage, a.k.a. the Garden.

Zero-Two’s self-hate

Shortly upon arriving at the Garden, Squad 13 bumps into a special team led by a familiar face. Collectively, they are the 9’s, and the blond kid is none other than Nine-Alpha. They also consider Zero-Two as one of their own. Nine-Alpha also refers to Zero-Two’s tests as simply maintenance. The girl, however, leaves without giving him a response. Those in the know seem to fear the possibility of Zero-Two going feral. After all, Nana insists that they can’t put her tests off any longer. They need to “maintain” her humanity, so to speak, but this isn’t enough for Zero-Two. She doesn’t want to just maintain her human side; she wants to become completely human. Judging from what we’ve seen in the last few weeks, however, she’s fighting a losing battle not from a physiological standpoint but a psychological one. She’s been pushing Hiro away lately even though she often claims that she and her darling will be together until the day they die. This adds credence to the blond kid’s words: “Glad to see you haven’t changed.” He’s taunting her, and they both know it.

As Hiro waits to undergo his own battery of tests, he thinks of his last encounter with Zero-Two. He had tried again to get her to open up to him, but she continued to resist his overtures. Despite being her darling, she doesn’t actually trust him. It’s as if her heart is meant for someone else, and Hiro is nothing more than a stand-in. So instead, she demanded a kiss from Hiro. She’d rather placate him with sex instead of emotional intimacy. Like a predator, she backed Hiro up into a corner, then went in “for the kill.” Her canine teeth have become more pronounced than ever, and this didn’t go unnoticed. Rather, they scared Hiro, and he flinched. He didn’t mean to reject her, but he did. Just a simple subtle look of fear in his eyes was all that Zero-Two needed to see. Whether they both realized it or not, she put him to a test and he failed. Hiro probably wonders what he could’ve done differently at the time.

After a brief but nostalgic tour of the Garden, Hiro later walks through a nearby forest and stumbles upon a large tree that he refers to as “mistletoe.” All of a sudden, memories start to flood his mind. He remembers meeting a little girl with red skin and prominent horns. Obviously, this has to be Zero-Two, and this is also obviously the girl we had seen at the very start of the series. Back then, she had confessed to us how profoundly beautiful she found humans to be. This will be important in a bit. So in typical anime storytelling fashion, Hiro and his darling used to be childhood friends. But wouldn’t she remember him? It would appear that she does. She just doesn’t recognize that her childhood darling and current darling are one and the same.

Elsewhere, Nine-Alpha gets to talk to Ichigo once more, and he brings up Hiro and Zero-Two. This instantly gets Ichigo’s undivided attention. The blond kid claims that Zero-Two is just a monster hiding behind a human guise. If you’ll recall, Dr. Franxx had warned Hiro against allowing Zero-Two to consume his emotions. Maybe they don’t think Zero-Two is ever capable of generating her own human emotions. Maybe they think Zero-Two can only wear her human mask by feeding upon her stamens. Remember what Mitsuru said about his experience with Zero-Two: “That girl tried to devour everything I had. My blood, my flesh, and my soul… All of it!” For whatever reason, Zero-Two isn’t having the same effect on Hiro. And possibly because of this, her human guise is falling apart. Is she unable to consume Hiro’s emotions in some form or fashion? Or does he simply lack authentic human emotions for her to consume? Something big happened to Hiro in the past… we just don’t know what yet.

Eventually, klaxosaurs attack, so the team must ready themselves for battle. When Hiro meets up with his partner, he can’t help but notice that Zero-Two’s horns have somehow grown in length. He apologizes for staring, and grabs her hand to show her that he’s still her partner. She doesn’t hold his hand back, though. At this point, it’s far too late for him to do anything to help her. She just wants to kill. She wants to take her rage out on klaxosaurs. The mission begins, and once again, Strelizia dashes in alone. It’s getting harder and harder to Hiro to rein his partner in. But of course, she never wanted to be a part of a team. She just wanted a darling. At the moment, however, Zero-Two is so consumed with self-hate that she takes her spear and bashes away at a klaxosaur that has long died. Again, she thinks killing klaxosaurs will make her human, but this is far from the case.

After the mission, Hiro finds the girl chewing on her fingers so badly that she’s starting to bleed. Even though she wants to be human so badly, she’s clearly uncomfortable in her human skin. It becomes painfully clear at this point what Zero-Two is going through: she’s a hafu. Not only have hafus always faced discrimination, they feel as though they are neither Japanese nor the ethnicity to which half of them belongs. Zero-Two is the same since her biracial identity leaves her in no man’s land. She rejects the klaxosaurs because their blood is responsible for her ostracization, but she’s clearly not purely human either. She can’t pretend to be something that’s she’s not. Rather, she’s something new. She’s a synthesis of two ideas, and there’s a remarkable beauty in that. Unfortunately, Zero-Two feels too much internal pain and anguish at the moment, so her true identity is not something she come to love and appreciate on her own. All she can do is lash out against her “impurity” by killing klaxosaurs. Just replace the word “human” with “Japanese.” Imagine hearing over and over that you’re not Japanese. Imagine hearing over and over that your Japanese identity is a facade, and you’re just an outsider pretending to be otherwise.

Zero-Two sorely wants to belong, but the adults have only ever wanted her for her body. Hiro tries to confess his true feelings, but it is to no avail:

Hiro: “I don’t know why you’re so fixated on being human (Japanese), but you are who you are! It doesn’t matter where you were born! Your horns and fangs (skin color) aren’t an issue, either!”

Zero-Two: “Shut your damn mouth!”

Hiro: “I was attracted to the person you are! It doesn’t matter whether you’re human (Japanese) or not. This entire time, I’d been trying to figure out why I felt this way about you, and watching Goro and Futoshi helped me understand this unique feeling. I love you, Zero-Two! I love you as you are!”

To a girl who has been used and abused all her life, Zero-Two thinks Hiro only wants her body: “I’ll teach you what comes after kissing.” As a result, she unbuttons her top and climbs on top of Hiro. She’s daring him to use her like the rest. Use her and discard her. Again, he tries to insist that he truly loves her, but Zero-Two is too far gone. Since he’s wasting her time, she decides to reject him instead and calls him nothing but fodder. She gave him the chance to discard her first, but since he didn’t take the chance, she does it to him anyway. This wounds Hiro enough to give up for the time being.

Before anyone can collect their thoughts, more klaxosaurs attack. Needless to say, Zero-Two continues to endanger herself and Hiro by charging into battle alone with her single-minded obsession. When he tries to restrain her once more, this leads to dire results. Strelizia can’t hide Zero-Two’s madness. Inside the cockpit, a red apparition suddenly emerges from Zero-Two and starts choking Hiro out. Perhaps this is what other stamens have had to suffer through, and our protagonist can now finally experience the horror for himself. Up until now, some special quality about Hiro had protected him from Zero-Two’s wrath. Perhaps it is this special designation as her “childhood friend.” In other words, she doesn’t consciously recognize him as her darling from the past, but a small part of her does. Nevertheless, her blind hate against half of her own identity has now removed all restraints. Her hate now threatens the kill the very darling she so badly wants to be with. The apparition confesses, “Give me all of your life. I’m going to become human, so I can meet my darling from back then.” She’s lonely and she just wants to be loved.

Back to the past

Other than Zero-Two, everyone seems eager to revisit their past. They peer through the snowstorm to gawk at the Garden. After all, this is the orphanage that they all grew up in. The word “development” might have more than one meaning. Hiro tells us that this is where children live, but as viewers, we can’t help but wonder where the children in this world even come from. The humans in the plantations certainly aren’t sexually reproducing. Hiro remembers well enough that he used to be a “designated special research subject,” but does he remember anything else? Apparently not. I want to ask why he doesn’t question the gaps in his memories, but from his perspective, he likely has no clue anything is even wrong. To continue where we had left off in last week’s episode, Hiro has no clue that Mitsuru had been experimented. Naturally, this angers the latter, but he keeps his emotions under check in front of the adults.

So what are we all doing here? Well, we’re going to conduct some tests, and that’s all we’re going to do. Nana explicitly forbids the team from entering the Garden itself. They probably don’t want the younger children to realize that when they grow up, they’ll have to go on dangerous, life-threatening missions. You need to indoctrinate them first. Even so, Hiro soon tells Goro that he’s going to defy the adults and return to the Garden. He wants to tie up loose ends and tell Naomi that he has found a partner. I bet he won’t find her there, though. Still, the rest of the team (minus Zero-Two, of course), decides to join him anyway. This makes sense, since they all have their own sentimental ties to the orphanage. I’m just surprised that it’s so easy for the kids to trespass. You’d think security measures would be tighter. You’d think this dystopian future would rely more heavily on AI to keep things under control.

The group can’t help but see their younger selves when they stop to observe the young children currently living at the orphanage. For instance, Ichigo recalls talking to Hiro about a specific bookThe Golden Bough is apparently some comprehensive book on mythology and religion. I’ve never touched it myself. Child Hiro did, however, and he zeroed in on some “holy tree.” I don’t want to speculate too much on this right now, though. But yeah, it’s clear that the children have plenty of books to read. Of course, we don’t know what kind of books are supplied, and if I had to guess, they probably don’t get to read anything about sex. Then again, a book on religion should contain lots of references to sex, right? But I don’t really know. Like I’ve said, I’ve never touched The Golden Bough.

According to Goro, it’s only been six months since they left the Garden. The team eventually come across a room full of children with empty, zombie-like stares. They’re obviously being experimented on. Judging by Zorome’s words, however, it seems as though none of them ever recall going through such a ghastly experience. What’s remarkable, however, is that up until now, no one has noticed Hiro and his friends walking around the place. Eventually, the topic of parasite injections come up, so an adult finally notices the squad. She chimes in to say that yellow blood cells are what you receive in said injections. Yellow blood cells not only make you better in combat (heightened senses?), they also render you obedient.

The adult also informs Hiro that parasites never return to the Garden when they leave. Nobody is really surprised, but I guess Hiro still clung onto the hope that he could meet Naomi again one day. After all, he feels guilty that they never became proper partners. He essentially doomed Naomi to whatever fate awaited her. Eventually, the adult kicks them all out of the Garden, and as they return to the laboratory, Kokoro finally asks the question we’ve all been waiting for: where do children in this world even come from? Miku answers that they must have been created by Papa and the rest of the adults. Sure, that’s possible, but how were they created? But before they can discuss the topic any further, Nana shows up to yell at them. We’re slowly inching our way towards the truth, but we still have far more questions than answers.

Misc. notes & observations:

— We see Zero-Two making a mess of the library. She’s looking for a picture book but she only finds dusty tomes full of words. I wonder why she wants a picture book.

— This laboratory looks like a microscope… an evil microscope.

— I’m reminded of how Hiro and his gang had no clue they could die so easily. I know some people find this a bit hard to swallow, but teenagers often feel that they’re invincible. Of course they know what death is, but I don’t find it surprising at all that they don’t take their own mortality all that seriously.

— Hiro speculates that the only person who really needs to undergo any tests is Zero-Two. The rest of the team is just here for… what? Just to get the girl here? The pink-haired girl remains as isolated as she’s ever been. Part of it is her fault, part of it is also her team’s fault. Other than Hiro, no one else has made any concerted effort to reach out to Zero-Two.

— Zero-Two is often cool and collected, but the thought of suffering through these “thorough tests” is enough to make her anxiously chew through her own skin. But of course, her protests fall on deaf ears. Nana and Hachi aren’t likely to break protocol.

— It turns out Nine-Iota doesn’t refer to Hiro after all, but a lot of people seemed to think that it did. There was a theory going around about how turning the numbers upside-down would give us 016, i.e. Hiro’s code number. But this still works in a way… Zero-Two and Hiro are destined to be together because she is his counterpart. She is his inverse.

— After Zero-Two departs from the scene, Nine-Alpha wonders how Hiro and his team managed to “tame” her, which, of course, serves to dehumanize the girl even futher. Ichigo comes to her teammate’s defense, which is nice… unfortunately, Zero-Two is no longer in the room.

— Miku thinks Nine-Alpha is hot, which amusingly stirs up Zorome’s jealousy.

— Nine-Alpha tells Zero-Two’s teammates to escort her to “you-know-where.” Apparently, all of the plantations are convening on one locations, but we are as clueless as Hiro’s team. Nana simply tells them that she’ll fill them in later. Great.

— A simple kiss on Ichigo’s hand turns her beet-red, which is amusing. She insulted his etiquette, so he responded in kind. He’s just being polite in an antiquated, gentlemanly way, but because these kids are clueless, Ichigo assumes that he’s flirting with her.

— Eventually, Nana informs the kids that they need to get a move on, i.e. let’s move the plot forward. One can only wonder what she and Hachi were thinking as they watched the two group of kids interact.

— As Ichigo departs with her team, Nine-Alpha teasingly remarks that he would like to join their squad one day. Ichigo has a lot of pride as a leader. Like a mother, she’s very protective of her “children.”

Full body scans and injections. How fun.

— Elsewhere, Zero-Two fights off armed adults as she continues to refuse to undergo any tests. She’s becoming more feral than ever, but in the end, they manage to restrain her. Nana seems cold and uncaring to the girl’s plight, but we don’t really know what pressure she’s under.

— Ichigo is seen leaving Nana’s office last, so she probably got a tongue-lashing for not reining her team in as its leader. Nine-Alpha taunts the girl as she walks by: “I’ve never seen any children disobey and get yelled at before.” This is why a team full of kids undergoing puberty is so risky. Teenagers are rebellious, after all. Even the yellow blood cells aren’t perfect.

— He has more to tell her, but we don’t get to hear the rest of their conversation for now. The anime is deliberately withholding information for dramatic effect, but this gimmick has always annoyed me.

— No wonder Zero-Two is so obsessed with her mirror. She’s constantly checking on her facade. It eventually shatters. It’s a little on the nose, but I’m fine with it.

— Why is the Garden in such a cold and desolate place anyway? Well, it seems klaxosaurs aren’t inclined to show up in a place so devoid of energy. Nevertheless, five Moho-class beasties have decided to crash the party, and we can’t help but wonder if they’ve been summoned in some way. It almost feels as though Zero-Two’s slow transformation is acting as a catalyst.

— Back in the laboratory, Hachi and Nana confirms what we already know about Zero-Two’s slow transformation, but they refer to it as “saurification.” What’s new, however, is that Hiro is being affected as well. If he continues to stay with her, he might also become a hybrid. He may very well become “impure” (if that’s not already the case). This revelation sends Ichigo in a spiral, because she’s incredibly protective of her childhood friend.

— Afterwards, she tries to at least open up a channel of communication with Zero-Two, but God only knows what she has to say. Zero-Two is still raging at her identity, so no talk can be had.

— It is at this moment that we finally learn everything that Nine-Alpha had said to Ichigo, and he merely confirms what he had learned from Hachi and Nana. We already know that Zero-Two devours her stamens. What’s clear, however, is that Hiro has been spared the same fate. Rather, he’s being turned. Either way, Zero-Two is apparently the key to whatever Papa and his ilk intends to achieve. They call it “saving the world,” but as hardened anime veterans, we know better.

 

Beatless Ep. 12: Fear the cloud!

$
0
0

Yes, we this anime last week, but it’s okay: last week’s offering was nothing more than yet another recap episode. I don’t know why Beatless feels the need to give us two recaps in a single cour, but here we are.

— We immediately open with chibi Ryo waking up in a hospital bed. He was apparently involved in some sort of explosive incident. This was when he also came to met Arato, who we literally see crying in this room of flaming hot  inferno. Kids, if you’re that close to fire in real life, you’d already be dead.

— Aw, look at the cute doggy.

— Afterwards, chibi Arato asked chibi Ryo to be his friend, which made the latter start crying.

— Now we fast forward to the present, and Ryo is still crying.

— But that’s not all! If you zoom out of the anime, you will see me crying because I have to blog this anime! It’s multi-dimensional tearjerking!

— Okay, enough fun. If you remember where we last left off, Arato had to save Shiori from a burning car. Ryo got mad at Arato when he found out about his sister’s condition. But he’s also mad at himself, y’see! After all, he hasn’t been a proper oniichan to Shiori. He asks about the hIE, and I assume he means Methode. Hm, I’m not sure what he thought his buddy should’ve done. It’s not like the android would’ve just surrendered peacefully. Things go from bad to worse when Ryo also gets a message from Ginga.

— Arato’s just getting it from all angles. He comes home to get a beating from his imouto. Like c’mon, I don’t like Arato but how was that incident with Methode even his fault?

— I understand him being suspended from school, though. Even the car rental guy is mad at our hero. Hertz, doesn’t it?

— Being lectured by a doofus like Yuka must suck. I mean, just look at her. You’re getting yelled at by someone prancing around in their OshKosh B’gosh.

— She’s mad because they have to pay 2 million yen in damages. 2 million yen that could’ve gone to “snacks and clothes.”

— Apparently, Arato’s dad is willing to pay for everything, and all he’s got to do is pay his dad a visit. Not only that, Ryo is tagging along (at Ginga’s request, I’m sure). A vacation away from his annoying imouto and a hot steamy trip with his best friend? Looks like everything’s working out to me!

— Whoops, spoke too soon. Yuka is coming too.

— On the train, Arato pervs on Lacia’s chest, but there’s really nothing to look at. Apparently, he can’t get her body out of his mind, since he walked in on her shirtless. I thought she had sick tattoos on her arm or something, but they were actually wounds she had incurred from the most recent incident. She was literally replacing her damaged skin with a spray bottle.

— Also, the whole thing with Marina is completely resolved.

— The OshKosh B’gosh wants to know if you’ve been lewding.

— Oh right, Arato’s dad is involved in some huge incident in which the entire city is populated by hIEs. Half of the units think that they’re human, and this simulation is supposed to help us understand how actual humans might react to living with hIEs. You also don’t throw hIEs away. If they can help it, unwanted androids end up here.

— Darn those millennials!

— On their way to the laboratory, the group comes across an old woman hIE dropping all her apples on the ground. Luckily, a child hIE is there to help her pick up all the fruit! Arato is relieved to see this! Ryo, however, is mad that Arato is relieved! Why? ‘Cause hIEs aren’t human arrgggh. This is so stupid.

— Ryo: “The hIEs assigned to human roles are driven by desire and pain, just like in the real world.” Um, I think we’re a little more complicated than that.

— Oh hey, Mikoto “survived” after all. Thank god for the behavior management cloud! If there is ever a cloud for human personalities, I suppose one could argue that immortality has been achieved. But then others would argue that the “you” on the cloud is nothing more than a copy. Soon enough, we’ll find ourselves slipping into the metaphysical rabbit hole. We’ll emerged 12 hours later with absolutely no conclusion in hand other than the painful realization that the study of metaphysics is absolutely pointless. As a former philosophy major, I’m just kidding… kinda.

— Arato warns Ryo not to step on an apple, which pisses the latter off even more. Argh, they’re not humans, so we can just treat them like shit! This is so insanely stupid.

Your girl is just using you, man!

— Ah, you took the forbidden fruit! It’s what the evil, manipulative hIE wanted you to do! Preach, Brother Ryo!

— Look at Arato immediately switch teams just because his buddy got a little mad at him. Way to stand your ground and believe in your convictions. If he’s being manipulated, it’s not because Lacia is manipulative. It’s because he’s just easily manipulable.

— Kozo can’t quite see Arato right away, because there’s a major experiment coming up: they’re going to simulate a terrorist attack. Oooh. They’re going to see if their human-imitating hIEs will panic or work together. They’ll probably panic if they’re copying humans correctly.

— The server room looks so evil and ominous.

— Arato and his gang retire to his father’s apartment to find the place completely strewn with dirty clothes and trash. You’d think a guy experimenting on hIEs every day would actually have one to help him out at home. Then again, do you think Mark Zuckerberg really uses his own product? Anyways, Yuka even brings up the fact that they’ve never owned hIEs until Arato acquired Lacia.

— Suddenly, the lights go out. Arato’s dad returns home at the same time, but he says that this happens often. After all, hIEs use up a lot of power. Elsewhere, we see Snowdrop doing… something to the power grid.

— Kozo doesn’t scold his son at all. Much to Yuka’s chagrin, her old man’s just like, “Yo, I trust you.”

— He also tells the kids that they’re maintaining a low ratio of hIEs to humans in their experiment. If you increase the number, this will tick off the anti-hIE faction, i.e. Kengo and his boys.

— Arato’s dad: “It’s human nature to outsource our work.” I don’t know about that. What would we do with our free time, then? We’d feel listless and despondent. I suppose you could argue that whatever humanity ends up doing with their free time becomes their actual work, but then they can’t go and outsource that as well.

— He goes on to basically say that hIEs are nothing more than simply tools, which of course gets his son’s ire. So what does Arato truly believe? On the one hand, hIEs aren’t just tools to him. On the other hand, he got mad at Yuka for thinking that the old woman hIE from earlier had resembled a human. Dude, make up your fucking mind.

Elsewhere, we see Ryo on the phone with someone who wants Lacia. Ryo will assist them only if they can assure the safety of Arato and his family. I can only imagine that Ryo is talking to Ginga. Either way… Ryo is not being much of a bro.

— The next morning, Arato goes on a walk alone, and he finds himself being entranced by a schoolgirl hIE’s bouncing breasts. Anime’s gotta anime.

— All of a sudden, an hIE falls from a great height and dies in front of Arato. This triggers all sorts of questions about the limits of their behavior. That’s when Arato bumps into Ginga, who proceeds to just stand there and spew exposition at us. This is such lazy storytelling. Let’s just filter out the important stuff. First, there’s nothing on the behavior management cloud that would tell hIEs to commit suicide. Second, Kozo was responsible for allowing Higgins, the super advanced AI, to create something on its own. Lastly, hIEs aren’t individuals in Ginga’s eyes. They’re just an interface between us and the cloud. He adds something about how the network doesn’t really understand any of the data it sees, but that doesn’t matter. With enough data, emergent behavior arises.

— All of a sudden, hIEs start committing suicide all over the place. Ginga then reveals himself to be Methode’s owner. An explosion goes off in his father’s apartment complex, and Lacia immediately calls Arato up to tell him that his sister has been kidnapped by Methode. When Arato turns to glare at Ginga, the man has already disappeared from sight. What? Does he have super speed now? The call was literally less than five seconds.

— All across the city, hIEs are behaving like zombies. The show wants us take it seriously, but this is how the episode ends.

— Also, this is apparently the tenth episode. Amazon, however, has it listed as the twelfth. Great!

Everything Else Pt. 13 (Winter ’18)

$
0
0

Let’s wrap this winter season up. I know a couple shows haven’t finished airing yet, but they’re not all that good anyway.


Dagashi Kashi S2 Ep. 12 (Final)

Coconuts pours his heart out as Hotaru listens attentively. She then cheers him up with manga and ramen, which would honestly work on any decent man if you ask me. I’m kidding, I’m kidding. Still, I’m not entirely sure how I feel about Hotaru. On the one hand, she brings a whole lot of energy to the show, and her absence has keenly been felt over the past few weeks. But on the other hand, she doesn’t have much to say about herself at all. Hotaru merely tells Coconuts that she had some things to take care of. At the end of the episode, she reveals her plans to start her own dagashi company, so she needs the guy by her side. But I’m not just talking about what she’s been doing or her future plans. I’m talking about her thoughts, feelings and motivations. This episode is heavily weighted towards Coconuts, so it feels a little unsatisfying. Hotaru’s back, but we don’t feel as though we get much closure on with her character. She’s very much a manic pixie dream girl. She’s fun to be with, but she has very little depth.

Oh yeah, Beni is apparently her older brother. Odd.

Final grade: C


Hakata Tonkotsu Ramens Ep. 12 (Final)

The last episode plays out exactly how you expect it to. The old flame initially gets the upper hand, but thanks to Lin’s new squeeze and their precious friends, all of the bad guys go down. The entire Kakyu Association are taken out, and Lin does what he couldn’t do as a kid: kill Feilang. Their final moment together is oddly intimate, don’t you think?

Sadly, Hakata Tonkotsu Ramens‘ strongest arc was unfortunately the very first one. Everything that followed just couldn’t deliver a better product. What we end up with is a forgettable show full of forgettable characters. Lin’s bromance with Banba is pretty much the only thing the anime has going for it. Unfortunately, for a show full of bravado, it shyly skirts around its one romance.

Final grade: C-


Karakai Jouzu no Takagi-san Ep. 12 (Final)

Ironically, the final episode takes us all the way back to the start of Nishikata and Takagi’s relationship and shows us how they first met. Back in the present, he returns her handkerchief to the girl and even includes a little “thank you” note. It seems like nothing to us but it’s everything to the girl. What can I say? The show’s adorable. Is it repetitive? Yeah, of course. But for some odd reason, I never really got tired of its gimmick. I also didn’t mind the fact that the anime had full length episodes either.

Final grade: C+


Overlord II Ep. 12

This is mainly a set-up episode for the “exciting” conclusion that will air in a couple days. Momon fights Jaldabaoth (a.k.a. Demiurge) for a bit, and this is enough to make Evileye swoon. Yeah, that’s a groaner. Eventually, Jaldabaoth makes up some convenient excuse to leave, then he stages a demon invasion into the city, so Princess Renner asks adventurers to assist her soldiers in repelling the enemy. Momon will obviously be in attendance. Not only that, he’s sure to reap all the fame after he fake defeats Jaldabaoth. I want to say how this season never felt like it was building towards anything interesting, but the same criticism can also be applied to the first season. There is never really any triumphant moment. It’s just Ainz staring out as a badass and becoming more badass every single day.

As for the whole Tuare rescue mission, it’s about as anti-climactic as everything else in this series. Brain and Zero has this big ol’ song and dance, but as soon as Sebas shows up, the baddie dies instantly. That’s what we’ve come to expect, but it still feels like a giant waste of time. I don’t know, I guess if you’re into overpowered characters having their way with everyone, this is the show for you. Like Garo – Vanishing Line, the main characters lack depth. But instead of actually giving them interesting arcs to follow, however, the second season has us watching gimmicky side characters like Crusch Lulu and Princess Renner. Even Sebas’s pet project merely nets him a moe maid so thoroughly used and abused that she can’t help but fall in love with the first damn person who shows her any kindness. Ugh.

Anyways, I may as well grade the season since I doubt the final episode is really going to change my mind. This also means I don’t have to bother covering the final episode when I eventually watch it on Tuesday.

Final grade: D


Takunomi Ep. 12 (Final)

Makoto is worried about her job hunt, so the girls band together to help her get through the harrowing process. Beer also helps. Having said that, I never felt as though this anime taught me enough about alcohol. It certainly tried, but it also featured a lot of slice-of-life nonsense involving the four girls. Unfortunately, they’re all incredibly flat and boring characters despite their love for booze. There isn’t a Hotaru to inject a jolt of energy into every scene. There isn’t even a dorky Hajime to screw things up in hilarious fashion. It’s really just Michiru droning on and on about how she hopes she can pull off being a Tokyoite one day. Yawn.

But let’s be honest… you don’t really care about Takunomi. Hell, I don’t really care about Takunomi.

Final grade: D


If you’re only here for anime-related nonsense, you can stop reading now. But for everyone else…

…I’m gonna talk about the one time I visited Liholiho Yacht Club, a super popular Hawaiian fusion restaurant in San Francisco. Seriously, attempting to get a decent reservation at this place on a Friday or Saturday night is like pulling teeth.

Since I just wrapped up Takunomi, I guess it’s only fitting that we talk about the alcohol first. Unfortunately, I’m not a huge drinker, so I don’t even remember what was even in these cocktails.

I just remember them being way too sweet for their own good. I certainly did not even feel tipsy by the end of the night.

First up is something to snack on: a bowl of popcorn coated in butter, nori and togarashi. Togarashi is just Japanese for chili pepper, but I failed to feel the heat. That’s just me, though. My friend who has a much fairer complexion certainly found it spicy, so your mileage may vary. Don’t get me wrong, ’cause I thought the popcorn was tasty. I’m just used to very, very spicy food so this did nothing for me.

Next, we shared a bowl of fried rice, bay shrimp, house-made spam, and abalone mushroom. Why did we split a starter? The first thing the waitress said to us was that the portions are really big, so she even advise us to split an entree. We decided to split a starter instead. Anyways, I’m not sure if this was a deliberate choice by the restaurant or not, but this dish had piping hot rice sitting beneath relatively cold shrimp. The whole thing tasted good, but I’m not sure what the temperature difference was trying to achieve. Maybe it was just a plain ol’ mistake on the kitchen’s part.

And if I could nitpick, I don’t think the house-made spam is strongly flavored enough. When you think spam, you think of that strangely congealed chunk of meat that tastes like a porky salt lick. On the other hand, the house-made spam buried within this bowl simply tasted like fancy ham. Had it been a little saltier, I think it would’ve nicely contrasted the shrimp’s sweetness.

We also ordered this dish, which features beef tongue and kimchee sitting in a poppy seed bun. The bun is nice and pillowy; I’ve got no complaints there. The kimchee is alright. Like the popcorn, it’s missing some heat, but the sweetness and acidity seemed correct. The biggest letdown is the beef tongue. It’s super tender, but the cut isn’t thick enough. As a result, I didn’t get enough beefy flavor to counteract the kimchee, so the whole dish was unbalanced.

For our mains, my friend had a country pork steak, apple, pickled mustard seeds, and a whole bunch of ingredients I can’t recall anymore. Well, you can certainly spot the frisee. I only had one bite, so I can’t really review the whole dish. My friend really liked it, but she was initially concerned that the pork was cooked to a medium doneness. Usually, you’re told that pork should be well done, but it really depends on the quality of the meat. If it’s from any old supermarket, then yeah, I guess go with well done to be safe. Otherwise, medium is just fine.

As for me, I had grilled shortrib and mushrooms. What’s the bone marrow thing on the side? It’s a twice baked potato stuffed with escargot. Honestly, it just tasted like earthy mashed potatoes. Escargot doesn’t really have its own flavor; it often blends in with whatever it’s cooked with. Anyways, yeah, I’ll admit that this dish wasn’t the most daring choice for a Hawaiian fusion menu. None of the other entrees looked all that enticing, though. I enjoyed this well enough. The whole thing is like one huge umami bomb, which isn’t a problem at all. But beyond that, it’s just your standard “meat and potatoes” dish. Honestly, I don’t know if there’s even anything Hawaiian about it.

For dessert, my friend had a banana cream pie.

I had a baked Alaska, but the restaurant calls it a baked Hawaii instead. Whatever floats their boat. They were both fine.

The bill came in this neat cover. So did Liholiho Yacht Club live up to the hype. Yes and no. If you want huge portions of competently made food, the place is great. But if you’re looking for strong Hawaiian flavors, the restaurant definitely plays it safe for a certain type of clientele.

Viewing all 1833 articles
Browse latest View live